Guitar Nine Columns: Guitarists and Bands

Displaying 337 - 378 of 1134

Enjoy over 25 years of staff columns, guest columns, interviews and more!

June-July 2001
Guitar Haus

I think that for these great guitar magazines the most important thing is to sell copies, so they are "compelled" to put on covers and dedicate as much space as they can to the most famous guitarists -- in fact, there are always the same names featured! It would be cool to some day see a cover with all the undiscovered ones!

June-July 2001
Guitar Nine

Fastest Six-Stringer On The Planet?

June-July 2001
Guitar Nine

The Freedom Of Jazz Blended With The Foundation Of Soul

June-July 2001
Guitar Nine

Classical Folk To Blues, Rock To Jazz

June-July 2001
Guitar Nine

Sweden's Experimental Instrumental Rock

June-July 2001
Guitar Nine

Experimental Neo-Classical Jazz Fusion

June-July 2001
Guitar Nine

Neo-Classical Rock Guitarist Looks To Record

August-September 2001
Guitar Nine

Spanish Instrumentalist's Raw Hard Rock

August-September 2001
Guitar Nine

Comtemporary Electric Folk Guitar

August-September 2001
Guitar Nine

Vibrant Acoustic Excursions

August-September 2001
Guitar Nine

Real New Jersey Hard Rock

August-September 2001
Guitar Nine

Acoustically Combining Ethnic Influences

August-September 2001
Guitar Nine

Guitar As Sound Source For Improvisation

August-September 2001
Guitar Nine

Modern Jazz Meets World Cultures

August-September 2001
Guitar Nine

Blues To Country, Jazz To Rock

August-September 2001
Guitar Nine

An Abundance Of Guitar Styles

August-September 2001
Guitar Nine

Instrumental Heavy Metal Shred From Italy

August-September 2001
Guitar Nine

Rocking The Folk With Blues

August-September 2001
Guitar Nine

Dance Beat-Driven Progressive Groove

August-September 2001
Guitar Haus

For me it`s the biggest challenge to stand out from the rest of the bands out there. The market is so full of bands out there these days! There must be at least 100 new albums coming out every month, just for metal music. So, imagine how hard it is to make a difference!

October-November 2001
Guitar Haus

If I want to compose neoclassical metal, I would be listening and analyzing all the CDs that I`ve got in my collection. Then I am ready to absorb all these influences into my playing and my compositions. The good thing is that the final result is totally different from the tunes that I listened to for inspiration.

October-November 2001
Guitar Nine

Musically Captivating Acoustic Blend

October-November 2001
Guitar Nine

A Pattern Of Heavy Progressive Fusion

October-November 2001
Guitar Nine

Ambient Neo-Progressive Cyber-Rock

October-November 2001
Guitar Nine

Contrasting Styles Drive Instrumental Rock

October-November 2001
Guitar Nine

Guitar-Oriented Rock/Blues Band

October-November 2001
Guitar Nine

Latin Jazz Guitarist Looks To Shine

October-November 2001
Guitar Nine

Sweden's New Instrumental Progressive Rock

October-November 2001
Guitar Nine

Hard-Driving Southern Rock

October-November 2001
Guitar Nine

Releases New Acoustic Solo Guitar Album

December-January 2001
Guitar Nine

Improvisational Boldness Meets Esoterica

December-January 2001
Guitar Nine

Hard Livin' & Hard Playin'

December-January 2001
Guitar Nine

Riotous Texas Blues With Double Trouble

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