Guitar Nine Columns: Guitarists and Bands

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Enjoy over 25 years of staff columns, guest columns, interviews and more!

December-January 1999
Guitar Nine

Electronica Meets Driving Instrumental Guitar

December-January 1999
Guitar Nine

Solo Guitarist Explores Jazz, Classical, Modern & World Music

December-January 1999
Guitar Nine

Instrumental Rock Addict Eyes Studio Career

December-January 1999
Guitar Nine

Malmsteen, Angelo, Stump -- Take Cover!

December-January 1999
Howard Hart

We send about half our orders overseas (48 different countries at last check), so numerically more CDs are still purchased in the United States, but that`s really because the country is so big. I feel the demand for instrumental guitar is stronger overseas, and if the economies in the Far East and Eastern Europe were stronger, I believe we`d sell even more there.

December-January 1999
Randy Allar

When we were working the tunes, none of us had any idea how long they were. It`s just these were our little babies we`re producing. It seemed that they needed all the parts we had. Looking back, there`s maybe two sections on the whole record I would cut. We hacked up a couple cuts for radio play, hacked them from eight minutes to five.

December-January 1999
Randy Allar

Well, I`m 38 and I started when I was ten. I probably started younger, like when I was about eight, so when you think about it, I`ve been playing for 30 years. I should be a lot better then I am (laughs).

December-January 1999
Guitar Haus

We have our own recording facility at our rehearsal studio and have been doing all recent recording there. We also rent time if necessary at a more elaborate studio. Ralph (Perucci) has his own studio in Manhattan.

December-January 1999
Guitar Haus

As far as releasing independently - there`s really no other way. Instrumental music (other than `happy saxophone` music I suppose) doesn`t really get a lot of support from record labels, guitar magazines, radio, whatever. So, if you love doing this kind of thing, then you really have to accept that you`ve gotta do it yourself.

December-January 1999
Randy Allar

A studio CD is hard work, because you spend months and do all this painstaking work in the studio and nit pick everything and make it right and mix it. I think that`s a bigger labor, but I think a live CD is a scary thing because you`re getting up there and playing live. There is nothing to hide behind. There`s no overdubs, and you have to live with what you did or don`t put it out.

December-January 1999
Randy Allar

I have an easier time over in Europe than I do here. I live in the Boston area, and Boston being a college town really wants alternative music. So I have a difficult time getting shows and drawing a huge crowd around here. I find it kind of weird. Thankfully that is not the only thing that I have to go on.

December-January 1999
Randy Allar

G3 is definitely here to stay. People may or may not know, the concept that we came up with a number of years ago was to be able to bring guitarists together that usually spend most of their time trying to stay apart. Managers and record companies are always trying to keep people separate. So we came up with the idea of bringing people together.

December-January 1999
Randy Allar

Back when I got my hands on my first multi-track recorder, I was fascinated with overdubbing, piling things on top of things, and recording anyone that came in my grip. I recorded hundreds of hours of stuff. Then I released the record `Flexible,` my first solo record.

December-January 1999
Randy Allar

Favored Nations is my new independent record company. It`s something I knew I was going to do. I knew I was destined to do a record company eventually. It`s a great concept and I found a great partner, Ray Sheer. We had similar concepts on how we would like to construct a label. I`ve been in the business for a long time, and I understand the infrastructure of how a label works and how they promote and market. So we put together this concept, sort of a musicians label.

December-January 1999
Randy Allar

You know, the early rock bands that I was into, like Deep Purple and Queen were very guitar oriented bands. I just wanted to start playing, so I got a guitar one year for Christmas. I had no interest in the guitar on Christmas day, I played more with the box. It grew on me and I got real serious after a couple of years.

December-January 1999
Guitar Haus

I believe that back in the 80`s it was a very novel thing to be an instrumental rock guitarist. I mean we`ve had rock instrumental songs since rock began, but the technical advances made by many of us were very charming and, for a while, in vogue. These are the very same qualities that almost killed the genre.

February-March 2000
Guitar Nine

Millennial, Shred Metal Instrumentals

February-March 2000
Guitar Nine

Instrumental Guitarist Seeks Record Deal

February-March 2000
Guitar Nine

Guitar, Rap & Techno Blend

February-March 2000
Guitar Nine

Unusual Acoustic/Electric Guitar Duo

February-March 2000
Guitar Nine

Instrumental CD Featuring Ultra Tasty Solos

April-May 2000
Guitar Haus

I find it hard to believe that some people have trouble getting press. It`s not really that difficult to do. I think the hardest part is letting go of the fear of a bad review. I`ve spoken to colleagues who don`t send their CD out because they`re afraid it`ll get trashed. Yeah, it might. But you have to take that chance.

April-May 2000
Randy Allar

Well, there really isn`t that big a demand for that kind of music that I write and play over the radio. So what I`ve been able to do by doing my own records and doing my own website is basically ignore the record company thing where the whole machinery has to be in place for airplay, promotions and tours. Now I can make the music I want to make, and so far so good.

April-May 2000
Guitar Nine

Rhythmically Intense Jazz Fusion

April-May 2000
Guitar Nine

Instrumental Acoustic Music Coveys Soaring Freedom

April-May 2000
Guitar Nine

Original Jazz CD Emphasizes Songs

April-May 2000
Guitar Nine

Fingerstylist Blends Jazz, Folk and New Age Influences

April-May 2000
Guitar Nine

Modern Guitar Flavors Jungle Rhythms

April-May 2000
Guitar Nine

Italian Shred "Extravaganza"

June-July 2000
Guitar Nine

Blues Rock Band Poised To Explode

June-July 2000
Guitar Nine

Fifteen Years Of Progressive Rock Fusion

June-July 2000
Guitar Nine

Guitar-Based Improvisational Pieces Kick-Off Trilogy

June-July 2000
Guitar Nine

High Energy, Blues/Rock Guitar

June-July 2000
Guitar Nine

Music Creating An Uplifting Ambience

June-July 2000
Guitar Nine

Meaningful Progressive Rock

June-July 2000
Guitar Nine

New Progressive Band Forges Original Sound

June-July 2000
Guitar Nine

Finnish Shredder Pours Out Emotion

June-July 2000
Guitar Nine

Veteran Guitarist Goes Instrumental

June-July 2000
Guitar Nine

Broadening His Horizons With Solo Release

June-July 2000
Guitar Nine

Aggressive, Unorthodox Fingerstyle Wins Fans

June-July 2000
Guitar Nine

Polish Shredder Continues Development

August-September 1996
Guitar Nine

Pointing Toward The Future Of Modern Music

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