Guitar Nine Columns: Guitarists and Bands

Displaying 589 - 630 of 1135

Enjoy over 25 years of staff columns, guest columns, interviews and more!

June-July 2004
Guitar Nine

Warp-Speed Washington Shredder

August-September 2004
Guitar Haus

If the U.S. guitar magazines want to have more of an impact with the global community; they need to balance commercialism with the true artistic and innovative expressions of the guitar in many various forms.

August-September 2004
Guitar Nine

A Throwback To '60s & '70s Rock Albums

August-September 2004
Guitar Nine

Guitars In A Pop/Rock Context

August-September 2004
Guitar Nine

Downtempo Electronic Guitar Blend

Hal
August-September 2004
Guitar Nine

Croatian Steel-String Fingerstylist

August-September 2004
Guitar Nine

Multi-Style Instrumental Guitarist

August-September 2004
Guitar Nine

Bottleneck & Solo Fingerstyle Guitar

August-September 2004
Guitar Nine

Instrumental Progressive Fusion Tracks

August-September 2004
Guitar Nine

Delivering A Musical Ride Worth Taking

August-September 2004
Guitar Nine

Embracing All Musical Influences

August-September 2004
Guitar Nine

Dedicated To Instrumental Rock

August-September 2004
Guitar Nine

Rough 'N' Ready Instrumental Demo

August-September 2004
Guitar Nine

Intense Musical Guitaration

October-November 2004
Guitar Haus

Remember, if you look like everyone else, how do you stand out? Don`t rely on your technique to get you noticed, it won`t. Your songs might, but you`ve got to get people interested enough to listen to you in the first place.

October-November 2004
Guitar Nine

Improvisational Talent Releases CD

October-November 2004
Guitar Nine

Melodic Rock Instrumentals

October-November 2004
Guitar Nine

Music From The Heart

October-November 2004
Guitar Nine

Multi-Toned Christian Guitarist

October-November 2004
Guitar Nine

Swedish Rocker Aims For CD Release

October-November 2004
Guitar Nine

Feats Of Guitar Synthesis

October-November 2004
Guitar Nine

Mind-Numbing Guitar Playing

October-November 2004
Guitar Nine

Pedal To The Metal

October-November 2004
Guitar Nine

Instrumental Demo Serves Notice

October-November 2004
Guitar Nine

Pursuing His First Love

October-November 2004
Guitar Nine

Honky-Tonkin' Electric Blues

October-November 2004
Guitar Nine

Unusual, Double-Necked Technique

December-January 2004
Guitar Haus

Composition really separates an artist from someone who is soley a musician, in my opinion. If I am to be viewed in any way, I would like it to be as a composer.

December-January 2004
Guitar Nine

Gaining Respect As Solo Artist

December-January 2004
Guitar Nine

Following His Vision In Jazz

December-January 2004
Guitar Nine

Acoustic Guitar WIth Orchestrations

December-January 2004
Guitar Nine

Jazz With Blues-Drenched Phrasing

December-January 2004
Guitar Nine

Acoustic, Melody-Driven Content

December-January 2004
Guitar Nine

Incredible Acoustic Guitarist

December-January 2004
Guitar Nine

Instructor Completes Instrumental Tracks

December-January 2004
Guitar Nine

Mastering Every Style

December-January 2004
Guitar Nine

Russian Guitarist Rips It Up

December-January 2004
Guitar Nine

German Guitarist Goes For Versatility

December-January 2004
Guitar Nine

Have A Very Flamenco Christmas

December-January 2004
Guitar Nine

West Coast Canadian Rocker

February-March 2005
Guitar Haus

Running your own label is the ultimate outlet for creating your music and getting it out to people. The alternative is sitting at home waiting for a call from a "real" label. Believe me, pinning your hopes on someone else making it happen for you is very frustrating and can turn you into a very weird person.

February-March 2005
Guglielmo Malusardi

When I was a student I worked hard on exercises and all that, but now I just play or rehearse my repertoire...Although I am also still teaching, so I¥m constantly recalling all the old exercises - no way of getting out of them!

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