Guitar Nine Columns

Displaying 883 - 924 of 4217

Enjoy over 25 years of staff columns, guest columns, interviews and more!

February-March 2002
Francesco Fareri

Another fistful of double arpeggio ideas.

February-March 2002
Mike Campese: The Fire Within

Mike returns with the second part of his column on coordinating your hands, while developing speed and accuracy.

February-March 2002
David Martone

You can bet your low `E` string that Canadian guitarist David Martone can improve your bottom end.

February-March 2002
Tom Hess Opus 2

Neo-classical guitarist Tom Hess will break you of your tendency to quit.

February-March 2002
Miguel Mega

You need to get `out` more, well, at least your playing does.

February-March 2002
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas offers the benefits of a good review program in your practice regimen.

February-March 2002
Tim Sweeney

Indie marketing guru Tim Sweeney chips in on the makings of a great stage show.

April-May 2002
Guitar Haus

I think gear is important because you want to sound your best. I took it to such an extreme, but that`s the cool thing about the studio - you can always learn and prepare for the time you get to record the next CD.

April-May 2002
Guitar Nine

Makin' The Blues His Business

April-May 2002
Guitar Nine

Progressive Blended With Americana & Jazz - Progabilly!

April-May 2002
Guitar Nine

High Energy, Christian Heavy Rock

April-May 2002
Guitar Nine

Jazz Guitarist Releases Remarkable CD

April-May 2002
Guitar Nine

Percussive Acoustic Guitarist Plans Career

April-May 2002
Guitar Nine

Modern Shred Guitar From Germany

April-May 2002
Guitar Nine

Off-The-Scale Experimental Acoustic

April-May 2002
Guitar Nine

Group Blends Modern & Classic Rock

April-May 2002
Guitar Nine

Southern-Fried Slide, Rockin' Blues

April-May 2002
Guitar Nine

L.A.'s Guitar-Based Rock/Pop

April-May 2002
Christopher Knab

Music industry guru Christopher Knab offers observations that should be taken as wake-up calls about establishing your career.

April-May 2002
David Martone

Getting rid of those nasty sonic holes in the center of your mix, by Canadian guitarist David Martone.

April-May 2002
Greigg Fraser

Canadian guitarist Greigg Fraser spills the beans on essential reading for guitar students everywhere.

April-May 2002
Steve Pappas

Fingerstylist Steve Pappas arranges a beautiful Irish ballad for guitar.

April-May 2002
Gerald Klickstein

The formulation, explanation and practical use of a new guitar tuning method.

April-May 2002
Gianluca Verrengia

How to play the same rhythm-melodic sequence on the same beat, starting on a different sixteenth each time.

April-May 2002
David Nevue

Musician and author David Nevue answers a very common question, "How can I sell more CDs on the Internet?"

April-May 2002
Scott Morris

A brand new column by Billboard Magazine Top Rated Instructor Scott Morris.

April-May 2002
Colin Mandel

A look at ways to create scales that are not taught, but invented.

April-May 2002
Mike Campese: The Fire Within

Mike returns with some ideas on how to incorporate half-tones and other non-scale notes into your lines.

April-May 2002
Tom Hess Opus 2

Neo-classical guitarist Tom Hess teaches you the important aspects of a good string shake.

April-May 2002
Miguel Mega

A bunch of ways to spice up our old pal: the Dorian mode.

April-May 2002
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas gives great advice to both new and experienced guitar instructors.

April-May 2002
Tim Sweeney

Indie marketing guru Tim Sweeney on handling the inevitable - rejection,

June-July 2002
Guitar Haus

Liquid Note Records (or LNR) was set up to principally cater for virtuoso instrumental guitar music - though that`s not to rule out the possibility that we`ll also release vocal albums in the future. LNR`s aim is to release albums every bit as good - or, dare I say it, better - than those released by the mighty Shrapnel.

June-July 2002
Guitar Haus

The beauty of being an independent artist is that I don`t die if I don`t score a big record deal! I`ll still have a career. These days with stevefister.com, Guitar 9, and some independent distribution, I can grow and have more control over my musical fate. A new CD means a bright new day, with more to follow!

June-July 2002
Guitar Haus

I`ve been playing guitar for 35 years, and still find it very challenging, and exciting. I work at it every single day, and realize that the real fun and spirit of this entire process of being a professional player is the `journey`, not the `end-game`. Sometimes I feel as if I am just getting started. The most important aspect of learning different styles of music, is one`s genuine love for that particular style.

June-July 2002
Guitar Nine

Melding Jazz Guitar With Experimental Sensibilities

June-July 2002
Guitar Nine

Classical Guitar Meets Electric Guitar

June-July 2002
Guitar Nine

Illigitamate Offspring Of KISS Meet Godsmack

June-July 2002
Guitar Nine

Professional Musician Makes Waves

June-July 2002
Guitar Nine

Surprising Program Of Jewish Music

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