Guitar Nine Columns

Displaying 841 - 882 of 4233

Enjoy over 25 years of staff columns, guest columns, interviews and more!

October-November 2001
Chris Coyne

One Brit`s opinon on the future of rock `n` roll.

October-November 2001
Mike Campese: The Fire Within

Mike is back with a follow up lesson to help you work the neck to squeeze more creativity out of your chording.

October-November 2001
Steve Trovato

Don`t send that master tape off to the duplicators without first checking out Steve Trovato`s final mix tips.

August-September 2001
Steve Trovato

If you`ve got what it takes, check out Steve Trovato`s thoughts on the subject.

October-November 2001
Salvatore Vecchio

An Italian guitarist is prepared to expand your chormatic awareness.

October-November 2001
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas helps you master the deceptively difficult changes in your life.

October-November 2001
Tim Sweeney

Indie marketing guru Tim Sweeney discusses the hidden secrets of how major labels evaluate the artists they are considering signing to their rosters.

October-November 2001
Guitar Haus

If I want to compose neoclassical metal, I would be listening and analyzing all the CDs that I`ve got in my collection. Then I am ready to absorb all these influences into my playing and my compositions. The good thing is that the final result is totally different from the tunes that I listened to for inspiration.

October-November 2001
Guitar Nine

Musically Captivating Acoustic Blend

October-November 2001
Guitar Nine

A Pattern Of Heavy Progressive Fusion

October-November 2001
Guitar Nine

Ambient Neo-Progressive Cyber-Rock

October-November 2001
Guitar Nine

Contrasting Styles Drive Instrumental Rock

October-November 2001
Guitar Nine

Guitar-Oriented Rock/Blues Band

October-November 2001
Guitar Nine

Latin Jazz Guitarist Looks To Shine

October-November 2001
Guitar Nine

Sweden's New Instrumental Progressive Rock

October-November 2001
Guitar Nine

Hard-Driving Southern Rock

October-November 2001
Guitar Nine

Releases New Acoustic Solo Guitar Album

December-January 2001
Guitar Nine

Improvisational Boldness Meets Esoterica

December-January 2001
Guitar Nine

Hard Livin' & Hard Playin'

December-January 2001
Guitar Nine

Riotous Texas Blues With Double Trouble

December-January 2001
Guitar Nine

Modern Beats Grace New Jazz Release

December-January 2001
Guitar Nine

Evocative, Guitar-Driven World Music

December-January 2001
Guitar Nine

St. Louis Instrumental Rock

December-January 2001
Guitar Nine

Polish Instrumentalist Creates Progressive Rock

December-January 2001
Guitar Nine

Totally Acoustic Troubadour Music

December-January 2001
Guitar Nine

Melodic Fusion/Shred Dominates Class Project

December-January 2001
Guitar Nine

Speed Picked Instrumental Metal

December-January 2001
Guitar Nine

Adept At Rock, Blues, Metal, Funk & More

December-January 2001
Guitar Nine

Slovenia's Instrumental Rock Future

December-January 2001
Christopher Knab

Music industry guru Christopher Knab is back with the skinny on getting noticed.

December-January 2001
Francesco Fareri

Want to double your fun? Double tracking your arpeggios may be the way to do it.

October-November 2001
David Martone

Canadian guitarist David Martone opens up the mailbag to answer a reader question about tone.

December-January 2001
David Martone

Canadian guitarist David Martone discusses the benefits and advantages of mastering your CD.

December-January 2001
Mike Campese: The Fire Within

Mike is back to help you coordinate your hands, while developing speed and accuracy.

December-January 2001
Will Landrum

Yet another weapon in the arsenal of techniques you can use to spice up your music.

December-January 2001
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas discusses the little discussed subject of fingering.

December-January 2001
Tim Sweeney

Indie marketing guru Tim Sweeney opens up the mailbag to answer a question about `street marketing`.

December-January 2001
Guitar Haus

I was on mp3.com for a while, but my opinion of the web is that piracy seems to be the end result of all the freebies, so we are staying with pressings even though they get copied and sent out for free. I`m a professional recording artist, so I`m committed to charging for my work.

December-January 2001
Guitar Haus

I usually will come up with ideas by throwing on my drum machine and just playing riffs, or by sitting in front of the TV and getting inspiration from whatever is on. I wrote the song "The Fugitive" while watching the movie of the same name. All the action was incredible, and the song turned out to be just as intense.

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