Experimental Explorations On Electric Guitar
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Experimental Explorations On Electric Guitar
Dispensing Jazz Influenced Abstract Post-Hip Hop
Instrumental Blues Guitar
Swedish Instrumental Deflagration
Jazzy Instrumentals With A Tropical Feel
Satriani-Inspired Instrumental Rock
Scotland's Fingerstyle Export
Neo-classical guitarist Tom Hess shows you how to select a good guitar instructor (and how to avoid a bad one).
Mike returns with some fun arpeggio licks he uses in his own playing.
Greg Rapaport discusses the importance of maintaining your timing and rhythm while improvising.
Joboj takes you through MIDI drums In 7222 characters or less (give or take).
Guitarist Williford pushes the envelope with 4 note per string legato licks and sequences.
Indie marketing guru Tim Sweeney on getting the most from your hometown fans.
Music industry guru Christopher Knab teaches you what it takes to compete for radio play.
Why your drum machine may be a demo-only tool, by Canadian guitarist David Martone.
Even more ways to spice up our old pal: the Dorian mode.
Hard-Driving Guitar Surf Music
From The Heart Of The Blues
Canada's Premier Smooth Jazz
Crossing The Line Between Acoustic & Electric
Instrumental Rocker Seeks Record Company
Revealing Heavy Metal Future Plans
Three Speedy Demo Tracks
English Instrumentalist Seeks Record Deal
I recently purchased an 18 track digital recorder made by Roland. I love having it and I`m amazed at the quality recordings with relatively little effort. I plan to do the third Delirious Tremor CD with it, as well as most future projects.
The gear we use is a major part of the Plankton sound. We¥re resting on a solid foundation of the classic sounds from the 60¥s and 70¥s, made famous by Hendrix, Cream and Led Zeppelin among others. It¥s basically Strats into various vintage Marshall amps and cabinets.
The ins and outs of DVD authoring - it may be easier than you think.
Greg Rapaport talks about developing some serious synergy between the picking and fretting hands.
It`s not Frankenstein or Dracula, simply more Greasy Fingers.
Virtuoso classical guitarist and instructor Jamie Andreas talks about the sticky topic that will energize your practice sessions.
Indie marketing guru Tim Sweeney on why perception may not always be reality.
Ace mastering engineer and guitarist Paul Abbott helps you avoid a muddy, undefined low to low-mid sound.
Music industry guru Christopher Knab talks about an overlooked area of importance, CD packaging.
How to personalize and colorize our old friend - the blues.
Learning the fretboard through scales by Mike Campese.
Using harmonics to get a great shimmering sound, from an award winning guitarist.
The changes to John Coltrane`s classic can result in inspiration for original solos.
Why you need a number of tones to impress, by Canadian guitarist David Martone.
The Internet itself is a huge jungle. I believe it gives a chance for those who don`t make it via a traditional label or distributor, if they know how to reach the audience.
Let`s face it, it is hard to get a label to pick you up and understand your visions. On the other hand, doing an independent release, you have control and you learn a lot. Sure, it is hard work, but I love to work hard for a dream!
Old Instrumental Groove Is New Again
Part Jazz, Part Fusion, Part Electronic