New Articles and Featured Content

June-July 2002
Guitar Nine

Melding Jazz Guitar With Experimental Sensibilities

Friday, May 31, 2002 - 20:00
June-July 2002
Guitar Nine

Classical Guitar Meets Electric Guitar

Friday, May 31, 2002 - 20:00
June-July 2002
Guitar Nine

Illigitamate Offspring Of KISS Meet Godsmack

Friday, May 31, 2002 - 20:00
June-July 2002
Guitar Nine

Professional Musician Makes Waves

Friday, May 31, 2002 - 20:00
June-July 2002
Guitar Nine

Surprising Program Of Jewish Music

Friday, May 31, 2002 - 20:00
June-July 2002
Guitar Nine

Experimental Explorations On Electric Guitar

Friday, May 31, 2002 - 20:00
June-July 2002
Guitar Nine

Dispensing Jazz Influenced Abstract Post-Hip Hop

Friday, May 31, 2002 - 20:00
June-July 2002
Guitar Nine

Instrumental Blues Guitar

Friday, May 31, 2002 - 20:00
June-July 2002
Guitar Nine

Swedish Instrumental Deflagration

Friday, May 31, 2002 - 20:00
June-July 2002
Guitar Nine

Jazzy Instrumentals With A Tropical Feel

Friday, May 31, 2002 - 20:00
June-July 2002
Guitar Nine

Satriani-Inspired Instrumental Rock

Friday, May 31, 2002 - 20:00
June-July 2002
Guitar Nine

Scotland's Fingerstyle Export

Friday, May 31, 2002 - 20:00
June-July 2002
Tom Hess Opus 2

Neo-classical guitarist Tom Hess shows you how to select a good guitar instructor (and how to avoid a bad one).

Friday, May 31, 2002 - 20:00
June-July 2002
Mike Campese: The Fire Within

Mike returns with some fun arpeggio licks he uses in his own playing.

Friday, May 31, 2002 - 20:00
June-July 2002
Greg Rapaport

Greg Rapaport discusses the importance of maintaining your timing and rhythm while improvising.

Friday, May 31, 2002 - 20:00
June-July 2002
Joe Bochar

Joboj takes you through MIDI drums In 7222 characters or less (give or take).

Friday, May 31, 2002 - 20:00
June-July 2002
Shelby Williford

Guitarist Williford pushes the envelope with 4 note per string legato licks and sequences.

Friday, May 31, 2002 - 20:00
June-July 2002
Tim Sweeney

Indie marketing guru Tim Sweeney on getting the most from your hometown fans.

Friday, May 31, 2002 - 20:00
June-July 2002
Christopher Knab

Music industry guru Christopher Knab teaches you what it takes to compete for radio play.

Friday, May 31, 2002 - 20:00
June-July 2002
David Martone

Why your drum machine may be a demo-only tool, by Canadian guitarist David Martone.

Friday, May 31, 2002 - 20:00
June-July 2002
Miguel Mega

Even more ways to spice up our old pal: the Dorian mode.

Friday, May 31, 2002 - 20:00
April-May 2002
Guitar Haus

I think gear is important because you want to sound your best. I took it to such an extreme, but that`s the cool thing about the studio - you can always learn and prepare for the time you get to record the next CD.

Sunday, March 31, 2002 - 19:00
April-May 2002
Guitar Nine

Makin' The Blues His Business

Sunday, March 31, 2002 - 19:00
April-May 2002
Guitar Nine

Progressive Blended With Americana & Jazz - Progabilly!

Sunday, March 31, 2002 - 19:00
April-May 2002
Guitar Nine

High Energy, Christian Heavy Rock

Sunday, March 31, 2002 - 19:00
April-May 2002
Guitar Nine

Jazz Guitarist Releases Remarkable CD

Sunday, March 31, 2002 - 19:00
April-May 2002
Guitar Nine

Percussive Acoustic Guitarist Plans Career

Sunday, March 31, 2002 - 19:00
April-May 2002
Guitar Nine

Modern Shred Guitar From Germany

Sunday, March 31, 2002 - 19:00
April-May 2002
Guitar Nine

Off-The-Scale Experimental Acoustic

Sunday, March 31, 2002 - 19:00
April-May 2002
Guitar Nine

Street-Wise, Acoustic/Electric Roots Rock

Sunday, March 31, 2002 - 19:00
April-May 2002
Guitar Nine

Group Blends Modern & Classic Rock

Sunday, March 31, 2002 - 19:00
April-May 2002
Guitar Nine

Southern-Fried Slide, Rockin' Blues

Sunday, March 31, 2002 - 19:00
April-May 2002
Guitar Nine

Dark, Moody Instrumental Rock

Sunday, March 31, 2002 - 19:00
April-May 2002
Guitar Nine

L.A.'s Guitar-Based Rock/Pop

Sunday, March 31, 2002 - 19:00
April-May 2002
Christopher Knab

Music industry guru Christopher Knab offers observations that should be taken as wake-up calls about establishing your career.

Sunday, March 31, 2002 - 19:00
April-May 2002
David Martone

Getting rid of those nasty sonic holes in the center of your mix, by Canadian guitarist David Martone.

Sunday, March 31, 2002 - 19:00
April-May 2002
Greigg Fraser

Canadian guitarist Greigg Fraser spills the beans on essential reading for guitar students everywhere.

Sunday, March 31, 2002 - 19:00
April-May 2002
Steve Pappas

Fingerstylist Steve Pappas arranges a beautiful Irish ballad for guitar.

Sunday, March 31, 2002 - 19:00
April-May 2002
Gerald Klickstein

The formulation, explanation and practical use of a new guitar tuning method.

Sunday, March 31, 2002 - 19:00
April-May 2002
Gianluca Verrengia

How to play the same rhythm-melodic sequence on the same beat, starting on a different sixteenth each time.

Sunday, March 31, 2002 - 19:00
April-May 2002
David Nevue

Musician and author David Nevue answers a very common question, "How can I sell more CDs on the Internet?"

Sunday, March 31, 2002 - 19:00
April-May 2002
Scott Morris

A brand new column by Billboard Magazine Top Rated Instructor Scott Morris.

Sunday, March 31, 2002 - 19:00
April-May 2002
Colin Mandel

A look at ways to create scales that are not taught, but invented.

Sunday, March 31, 2002 - 19:00
April-May 2002
Mike Campese: The Fire Within

Mike returns with some ideas on how to incorporate half-tones and other non-scale notes into your lines.

Sunday, March 31, 2002 - 19:00
April-May 2002
Tom Hess Opus 2

Neo-classical guitarist Tom Hess teaches you the important aspects of a good string shake.

Sunday, March 31, 2002 - 19:00
April-May 2002
Miguel Mega

A bunch of ways to spice up our old pal: the Dorian mode.

Sunday, March 31, 2002 - 19:00
April-May 2002
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas gives great advice to both new and experienced guitar instructors.

Sunday, March 31, 2002 - 19:00
April-May 2002
Tim Sweeney

Indie marketing guru Tim Sweeney on handling the inevitable - rejection,

Sunday, March 31, 2002 - 19:00

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