Guitar Nine Columns

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Enjoy over 25 years of staff columns, guest columns, interviews and more!

February-March 2002
Guitar Haus

Doing clinics has allowed me go to places and promote myself where I wouldn`t have been able to have even dreamed of going to. I`ve done clinics/workshops/performances in Germany, Spain, Japan, Greece, Sweden, UK, Brazil, Argentina, Italy, France, Canada, Belgium and of course the U.S. Being one of the top clinicians in the U.S. has gotten me to places I only read about in school.

February-March 2002
Guitar Haus

I guess like a fingerprint, no one musician can be exactly alike, so that helps a bit. If I were to make any distinction, it would be that I really respect the tune itself and have always sacrificed technical acrobatics and note bombardment for the sake of melody, depth and feel - which I`ll will admit is a constant battle.

February-March 2002
Guitar Nine

Fusing Latin, Caribbean and North African Influences

February-March 2002
Guitar Nine

Gutty Guitars, Expressive Vocals

February-March 2002
Guitar Nine

Just Enough Brilliant Fingerstyle

February-March 2002
Guitar Nine

Progressive/Metal, Jazz/Fusion Instrumentals

February-March 2002
Guitar Nine

Jackhammer Picking, Dive Bombs Away!

February-March 2002
Guitar Nine

Rock/World/New Age Instrumental Works

February-March 2002
Guitar Nine

New England Based Metal Band Strikes Back

February-March 2002
Guitar Nine

Polish Instrumental Neo-Classical Masterworks

February-March 2002
Guitar Nine

Bluesy Shred, Instrumental Hard Rock

February-March 2002
Christopher Knab

Music industry guru Christopher Knab with tips on building the ideal music promotional kit.

February-March 2002
Francesco Fareri

Another fistful of double arpeggio ideas.

February-March 2002
Mike Campese: The Fire Within

Mike returns with the second part of his column on coordinating your hands, while developing speed and accuracy.

February-March 2002
David Martone

You can bet your low `E` string that Canadian guitarist David Martone can improve your bottom end.

February-March 2002
Tom Hess Opus 2

Neo-classical guitarist Tom Hess will break you of your tendency to quit.

February-March 2002
Miguel Mega

You need to get `out` more, well, at least your playing does.

February-March 2002
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas offers the benefits of a good review program in your practice regimen.

February-March 2002
Tim Sweeney

Indie marketing guru Tim Sweeney chips in on the makings of a great stage show.

April-May 2002
Guitar Haus

I think gear is important because you want to sound your best. I took it to such an extreme, but that`s the cool thing about the studio - you can always learn and prepare for the time you get to record the next CD.

April-May 2002
Guitar Nine

Makin' The Blues His Business

April-May 2002
Guitar Nine

Progressive Blended With Americana & Jazz - Progabilly!

April-May 2002
Guitar Nine

High Energy, Christian Heavy Rock

April-May 2002
Guitar Nine

Jazz Guitarist Releases Remarkable CD

April-May 2002
Guitar Nine

Percussive Acoustic Guitarist Plans Career

April-May 2002
Guitar Nine

Modern Shred Guitar From Germany

April-May 2002
Guitar Nine

Off-The-Scale Experimental Acoustic

April-May 2002
Guitar Nine

Group Blends Modern & Classic Rock

April-May 2002
Guitar Nine

Southern-Fried Slide, Rockin' Blues

April-May 2002
Guitar Nine

L.A.'s Guitar-Based Rock/Pop

April-May 2002
Christopher Knab

Music industry guru Christopher Knab offers observations that should be taken as wake-up calls about establishing your career.

April-May 2002
David Martone

Getting rid of those nasty sonic holes in the center of your mix, by Canadian guitarist David Martone.

April-May 2002
Greigg Fraser

Canadian guitarist Greigg Fraser spills the beans on essential reading for guitar students everywhere.

April-May 2002
Steve Pappas

Fingerstylist Steve Pappas arranges a beautiful Irish ballad for guitar.

April-May 2002
Gerald Klickstein

The formulation, explanation and practical use of a new guitar tuning method.

April-May 2002
Gianluca Verrengia

How to play the same rhythm-melodic sequence on the same beat, starting on a different sixteenth each time.

April-May 2002
David Nevue

Musician and author David Nevue answers a very common question, "How can I sell more CDs on the Internet?"

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