Guitar Nine Columns

Displaying 799 - 840 of 4217

Enjoy over 25 years of staff columns, guest columns, interviews and more!

June-July 2001
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas is back with his method for acheiving fast, accurate playing.

June-July 2001
Tim Sweeney

Indie marketing guru Tim Sweeney is back with more practical ideas that work.

August-September 2001
Guitar Nine

Spanish Instrumentalist's Raw Hard Rock

August-September 2001
Guitar Nine

Comtemporary Electric Folk Guitar

August-September 2001
Guitar Nine

Vibrant Acoustic Excursions

August-September 2001
Guitar Nine

Real New Jersey Hard Rock

August-September 2001
Guitar Nine

Acoustically Combining Ethnic Influences

August-September 2001
Guitar Nine

Guitar As Sound Source For Improvisation

August-September 2001
Guitar Nine

Modern Jazz Meets World Cultures

August-September 2001
Guitar Nine

Blues To Country, Jazz To Rock

August-September 2001
Guitar Nine

An Abundance Of Guitar Styles

August-September 2001
Guitar Nine

Instrumental Heavy Metal Shred From Italy

August-September 2001
Guitar Nine

Rocking The Folk With Blues

August-September 2001
Guitar Nine

Dance Beat-Driven Progressive Groove

August-September 2001
Christopher Knab

Music industry guru Christopher Knab is back discussing the relationship between these business entities.

August-September 2001
Rolf Munkes

Germany`s Rolf Munkes brings us a workshop which delves into the essential elements of his guitar style.

August-September 2001
Bill Peck

An egoless way to get your name out there.

August-September 2001
Mike Campese: The Fire Within

Mike is back to teach you to work the neck to squeeze more creativity out of your chording.

August-September 2001
Sergio Zurawski

Brazilian guitarist teaches by example in his first Guitar Nine column.

August-September 2001
Colin Mandel

Colin Mandel is back with the third and final installment of his odd meter trilogy.

August-September 2001
David Martone

Canadian guitarist David Martone returns with his insights on the home digital studio phenomenon.

August-September 2001
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas discusses a controversial topic, is talent born, or made? You decide.

August-September 2001
Tim Sweeney

Indie marketing guru Tim Sweeney defines Soundscan and its relevance to indie artists.

August-September 2001
Guitar Haus

For me it`s the biggest challenge to stand out from the rest of the bands out there. The market is so full of bands out there these days! There must be at least 100 new albums coming out every month, just for metal music. So, imagine how hard it is to make a difference!

October-November 2001
Christopher Knab

Music industry guru Christopher Knab is back talkin` barcodes.

October-November 2001
Francesco Fareri

An in-depth look at Fareri`s neo-classical shred debut from the guitarist himself.

October-November 2001
Beurks

Composition angles from the man known as Beurks.

October-November 2001
Chris Coyne

One Brit`s opinon on the future of rock `n` roll.

October-November 2001
Mike Campese: The Fire Within

Mike is back with a follow up lesson to help you work the neck to squeeze more creativity out of your chording.

October-November 2001
Steve Trovato

Don`t send that master tape off to the duplicators without first checking out Steve Trovato`s final mix tips.

August-September 2001
Steve Trovato

If you`ve got what it takes, check out Steve Trovato`s thoughts on the subject.

October-November 2001
Salvatore Vecchio

An Italian guitarist is prepared to expand your chormatic awareness.

October-November 2001
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas helps you master the deceptively difficult changes in your life.

October-November 2001
Tim Sweeney

Indie marketing guru Tim Sweeney discusses the hidden secrets of how major labels evaluate the artists they are considering signing to their rosters.

October-November 2001
Guitar Haus

If I want to compose neoclassical metal, I would be listening and analyzing all the CDs that I`ve got in my collection. Then I am ready to absorb all these influences into my playing and my compositions. The good thing is that the final result is totally different from the tunes that I listened to for inspiration.

October-November 2001
Guitar Nine

Musically Captivating Acoustic Blend

October-November 2001
Guitar Nine

A Pattern Of Heavy Progressive Fusion

October-November 2001
Guitar Nine

Ambient Neo-Progressive Cyber-Rock

October-November 2001
Guitar Nine

Contrasting Styles Drive Instrumental Rock

October-November 2001
Guitar Nine

Guitar-Oriented Rock/Blues Band

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