Guitar Nine Columns

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Enjoy over 23 years of staff columns, guest columns, interviews and more!

October-November 2002

Gain control over your instrument and improve your ear for harmonies.

October-November 2002

Ace mastering engineer and guitarist Paul Abbott discusses how mastering can mean the difference between a good-sounding CD and a professional CD.

October-November 2002

Greg Rapaport discusses advanced tapping forms.

October-November 2002

Fatting up your recorded sound with real double tracking, by Canadian guitarist David Martone.

October-November 2002

More ways to master the fretboard through the use of the pentatonic scale.

October-November 2002

The Internet itself is a huge jungle. I believe it gives a chance for those who don`t make it via a traditional label or distributor, if they know how to reach the audience.

October-November 2002

Let`s face it, it is hard to get a label to pick you up and understand your visions. On the other hand, doing an independent release, you have control and you learn a lot. Sure, it is hard work, but I love to work hard for a dream!

October-November 2002

Old Instrumental Groove Is New Again

October-November 2002

Part Jazz, Part Fusion, Part Electronic

October-November 2002

Welcome (Back) To The Jungle

October-November 2002

Reggae Guitarist/Singer/Songwriter

October-November 2002

Blues Rocker Races Towards Slide Guitar Fame

October-November 2002

Absorb This Divergent Heavy Progressive Rock

October-November 2002

Rock Fusionist Promotes Latest Demo

October-November 2002

Italian Rock Instrumentalist Looks For Label

October-November 2002

Hard Edged Rhythms & Meditative Melodies

October-November 2002

Austrian Instrumentalist Balances Melody & Virtuosity

October-November 2002

Instrumental Rock From Kazakstan

October-November 2002

Young New Yorker Aspires Towards First CD

August-September 2002

Hard-Driving Guitar Surf Music

August-September 2002

From The Heart Of The Blues

August-September 2002

Canada's Premier Smooth Jazz

August-September 2002

Crossing The Line Between Acoustic & Electric

August-September 2002

Instrumental Rocker Seeks Record Company

August-September 2002

Revealing Heavy Metal Future Plans

August-September 2002

Three Speedy Demo Tracks

August-September 2002

English Instrumentalist Seeks Record Deal

August-September 2002

Pennsylvania's Progressive Metal Man

August-September 2002

A Bit Of Reggae, A Bit Of Blues

August-September 2002

Musician Looks Toward Favored Nations

August-September 2002

Steel Guitar Sounding Instrumentals

August-September 2002

The ins and outs of DVD authoring - it may be easier than you think.

August-September 2002

Greg Rapaport talks about developing some serious synergy between the picking and fretting hands.

August-September 2002

It`s not Frankenstein or Dracula, simply more Greasy Fingers.

August-September 2002

Virtuoso classical guitarist and instructor Jamie Andreas talks about the sticky topic that will energize your practice sessions.

August-September 2002

Indie marketing guru Tim Sweeney on why perception may not always be reality.

August-September 2002

Ace mastering engineer and guitarist Paul Abbott helps you avoid a muddy, undefined low to low-mid sound.

August-September 2002

Music industry guru Christopher Knab talks about an overlooked area of importance, CD packaging.

August-September 2002

How to personalize and colorize our old friend - the blues.

August-September 2002

Learning the fretboard through scales by Mike Campese.

August-September 2002

Using harmonics to get a great shimmering sound, from an award winning guitarist.

August-September 2002

The changes to John Coltrane`s classic can result in inspiration for original solos.

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