Guitar Nine Columns

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Enjoy over 20 years of staff columns, guest columns, interviews and more!

August-September 1999

How is your timing? Are you about to lose your gig because you always rush the beat? Kevin Slack has an exercise which will help you determine where you stand.

August-September 1999

Except for distribution, I`ve always made out better doing it myself using investor money then any contracts I`ve been offered. I have a "go in the studio and play" mentality. I don`t overdub, and I usually only do two or three takes for each piece. I make sure when I go in, I`m ready! So my costs are embarressingly low!

August-September 1999

I like to take another artist`s song and vision and take it to another level. My experience with Fourth Estate, as well as contributing to many other projects and playing in countless cover bands, gives me a broad perspective in which to approach working with a variety of different artists. I am also very picky about sounds and tones and I think that translates in most of the projects I`ve produced.

June-July 1999

A no-holds-barred look at a common problem between band members.

June-July 1999

Insightful thoughts on the precious gift of music from one of today`s hottest guitarists.

June-July 1999

You don`t have to be a shredding, virtuoso guitar player to learn proper phrasing, and your solos will stand out from the pack.

June-July 1999

But even with my success in Belgium, it was impossible to get any industry support/interest generated. It was then the time of Kurt Cobain and friends, people like Tony MacAlpine and Greg Howe weren`t having any luck, what hope was there for me? Releasing my own CD seemed like the only answer.

June-July 1999

Post-Apocalyptic Acoustic Fingerstyle

June-July 1999

Life Experience Drives Smooth Jazz Release

June-July 1999

Displaying An Affection For Jazz Guitar Instrumentals

June-July 1999

Acoustic Guitar With An Edge

June-July 1999

Accessible Amalgam Of Instrumental Rock, Funk & Fusion

June-July 1999

Trance Ambience For Horizontal & Vertical Bass

June-July 1999

Guitar Solo Album In The Works For 1999

June-July 1999

Duo Offers Blend Of Folk, Blues, Celtic & Ragtime

June-July 1999

Shredding Hard Rocker Releases EP/CD

June-July 1999

Exploring The Outer Reaches Of Slide Guitar

June-July 1999

Blues, Rock and Country Mix

June-July 1999

Jazz Guitarist Strives To Reach Wider Audience

June-July 1999

McAvinchey signs off on the popular series; what will the future bring.

April-May 1999

Planning To Saturate The Instrumental Rock Scene

April-May 1999

Seductively Corrosive Solo Guitar

April-May 1999

Fingerstyle Acoustic...And More!

April-May 1999

Sharing His Inspiration - With A Guitar

April-May 1999

High Energy Rock Guitar

April-May 1999

Uplifting Combination Of Flamenco, Latin, Classical & Jazz

April-May 1999

Music Unlimited By Categorical Distinctions

April-May 1999

Strong Melodic Instrumentalist Releases 2nd CD

April-May 1999

Modern Rock Band From New Jersey

April-May 1999

Wide-Ranging Instrumental Music

April-May 1999

Instrumental Blues, Funk & Jazz

April-May 1999

The past few years have seen the rise of several new ways to get your music promoted and selling, leveraging the strengths of the Internet.

April-May 1999

The second installment of practical advice from Tonya`s new book "Hidden Secrets To Making And Promoting Your Music Revealed".

April-May 1999

Systematically deaiing with our musical need to improvise.

April-May 1999

If you thought playing gigs was the only source for good `story material`, wait until you visit Mr. Bochar`s personal lake of fire. Don`t get burned.

April-May 1999

Sweep those old sweeping techniques under the rug! Marshall Harrison`s got some great ideas in store for you.

April-May 1999

Music industry consultant Christopher Knab contributes his knowledgeable views on the current state of affairs.

April-May 1999

The only recording I do at home is for demo purposes. My engineer and I have actually built a commercial studio in San Luis Obispo, CA. The studio is a 3,000 sq..ft., 24 track, digital facility. It was a huge project, spanning two years. The great thing is I don`t have to worry about the clock anymore. There is a tremendous feeling of freedom when I can spend the time needed to record my songs, the way I feel they should be.

February-March 1999

A few words of practical advice from Tonya`s new book "Hidden Secrets To Making And Promoting Your Music Revealed".

February-March 1999

Gerry Magee continues his multi-part series on expanding your mind, as well as your fretboard, with an article on focusing your mental energy.

February-March 1999

Peter Neri on how to get those fingers (and thumbs) flying.

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