Guitar Nine Columns

Displaying 3865 - 3906 of 3989

Enjoy over 20 years of staff columns, guest columns, interviews and more!

February-March 1998

Explosive, Contemporary Jazz With A World Feel

February-March 1998

More Rock 'N Roll Fun Than Ought To Be Legal

February-March 1998

Instrumental Guitarist Stresses Music Over Flash

February-March 1998

Melodic, Hard Rock Instrumentalist From Down Under

February-March 1998

Instrumental Electro-Acoustic Guitar Music

February-March 1998

Maine's Premiere Fusion Guitarist Unleashed

February-March 1998

Solo Fingerstyle Guitarist Taps Into Her Talent

February-March 1998

Guitarist Blends Rock, Funk And Metal With Relentless Intensity

February-March 1998

Lightning Guitar Fuels All-Instrumental Release

February-March 1998

A New Age Rock 'N' Roll Wandering Minstrel

February-March 1998

Instructor Shoots For Instrumental Release

February-March 1998

Guitarist & Composer Has Acoustic Dreams

February-March 1998

Is it really true? Will you get 30,000,000 music fans checking out your music just by creating a web page? Let's separate the hype from the reality.

December-January 1997

Multi-Instrumentalist Tracks Cool, Contemporary Jazz

December-January 1997

Summoning The Ghosts Of Pop, Folk & Rock

December-January 1997

One Of Those (Guitar) Guys

December-January 1997

Energetic, Unpredictable Fingerstyle Guitar

December-January 1997

Instrumental Guitarist Challenges The Musical Trends Of Today

December-January 1997

Alternative Acoustic With A Pure, Emotional Edginess

December-January 1997

Rock Guitar Virtuoso Plans New CD

December-January 1997

Guitarist/Songwriter Works Studio Magic Close To Home

December-January 1997

Neo-Classical Guitarist Goes Solo

December-January 1997

Progressive Instrumentals Laden With Emotion

December-January 1997

Instrumental Guitar Landscapes

December-January 1997

High Energy Band Does It Themselves

December-January 1997

Vibrant and Powerful Acoustic Music

December-January 1997

Cutting Edge Guitarist Delivers the Instrumental Goods

December-January 1997

Creative, Unusual Power Trio Oozes Intensity

December-January 1997

Electrifying, Emotional Blues-Rock Instrumental Music

December-January 1997

If you're a typical musician, you lack one or both of these critical qualities. Let's see how important they are to your success.

December-January 1997

If you`ve got the urge to explore jazz after a background in rock, you`ll need to understand the differences between the two styles. Guitarist Sean Gill gives you the keys to unlock the door to jazz.

December-January 1997

Houston guitarist Rusty Cooley figures that with ten fingers, there`s got to be times when you can use over half of them to express your ideas.

December-January 1997

I`d really like to develop into a good composer. I`m not a Greg Howe or an Allan Holdsworth when it comes to soloing, so I have no choice but to work on developing my compositional skills so that people will have a reason to listen! To me, the ideal is someone like Scott Henderson, or Shawn Lane, who are not only amazing players, but equally strong, if not better, composers. That`s the pinnacle, to me.

October-November 1997

New Jersey guitarist Paul Kuntz is back and aside from a ravenous appetite, he`s got plans to teach you all about tuplets and fitting the notes to the rhythm.

October-November 1997

Just can`t get enough info about modes, can you? Guitarist Tony Young relates modes to chord progressions.

October-November 1997

I do as much pre-production as humanly possible at home. When you`re ready to record, and I can`t stress this enough, have everything rehearsed to death and a production plan ready. I did my latest CD at a commercial place, but my dream is to do my next one at home.

October-November 1997

The bottom line is: I believe in my music. As an instrumental artist you`re not going to land a huge deal with a major label. If you do get a deal the label is going to take a huge chunk of money, and even if they do sign you, they may not even distribute your CD. Some friends of mine signed with a major label, and the label has not done a thing with them. So they have a great product that they can`t do anything with.

October-November 1997

Adrenaline-Pumping, Cinematic Heavy Rock

October-November 1997

Stepping Outside Contemporary Fusion

October-November 1997

Folk And Rock 'N' Roll With A Country Flavor

October-November 1997

Mixing Luxurious Soundscapes With Rock/Blues Guitar

October-November 1997

Instrumental Metal That Screams For Vengeance

Pages