Energetic, Unpredictable Fingerstyle Guitar
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Energetic, Unpredictable Fingerstyle Guitar
Instrumental Guitarist Challenges The Musical Trends Of Today
Alternative Acoustic With A Pure, Emotional Edginess
Rock Guitar Virtuoso Plans New CD
Guitarist/Songwriter Works Studio Magic Close To Home
Neo-Classical Guitarist Goes Solo
Progressive Instrumentals Laden With Emotion
Instrumental Guitar Landscapes
High Energy Band Does It Themselves
Vibrant and Powerful Acoustic Music
Cutting Edge Guitarist Delivers the Instrumental Goods
Creative, Unusual Power Trio Oozes Intensity
Electrifying, Emotional Blues-Rock Instrumental Music
If you're a typical musician, you lack one or both of these critical qualities. Let's see how important they are to your success.
If you`ve got the urge to explore jazz after a background in rock, you`ll need to understand the differences between the two styles. Guitarist Sean Gill gives you the keys to unlock the door to jazz.
Houston guitarist Rusty Cooley figures that with ten fingers, there`s got to be times when you can use over half of them to express your ideas.
I`d really like to develop into a good composer. I`m not a Greg Howe or an Allan Holdsworth when it comes to soloing, so I have no choice but to work on developing my compositional skills so that people will have a reason to listen! To me, the ideal is someone like Scott Henderson, or Shawn Lane, who are not only amazing players, but equally strong, if not better, composers. That`s the pinnacle, to me.
New Jersey guitarist Paul Kuntz is back and aside from a ravenous appetite, he`s got plans to teach you all about tuplets and fitting the notes to the rhythm.
Just can`t get enough info about modes, can you? Guitarist Tony Young relates modes to chord progressions.
I do as much pre-production as humanly possible at home. When you`re ready to record, and I can`t stress this enough, have everything rehearsed to death and a production plan ready. I did my latest CD at a commercial place, but my dream is to do my next one at home.
The bottom line is: I believe in my music. As an instrumental artist you`re not going to land a huge deal with a major label. If you do get a deal the label is going to take a huge chunk of money, and even if they do sign you, they may not even distribute your CD. Some friends of mine signed with a major label, and the label has not done a thing with them. So they have a great product that they can`t do anything with.
Adrenaline-Pumping, Cinematic Heavy Rock
Stepping Outside Contemporary Fusion
Folk And Rock 'N' Roll With A Country Flavor
Mixing Luxurious Soundscapes With Rock/Blues Guitar
Instrumental Metal That Screams For Vengeance
Surprising Interpretations Of Contemporary Classical Guitar
Supercharged, Energetic Bass Guitar For The New Millennium
Intense, Ripping Instrumental Guitar
Self-assessement time. Can you go it alone? You might need the synergy of two people working together to kick start your label.
13 additional tips you can use today to improve your tracks.
Swedish Instrumentalist Does It On His Own
Inspiring Others to Find the Inspiration in Themselves
Balancing Technique And Melody... From Italy
Driving Rock Music With A Message
Powerful, Progressive Instrumental Metal Music
Skill and Musicality Mark Instrumental Release
Completely subjective, straightforward tips in the areas of promotion, publicity and your career.
New Jersey guitarist Paul Kuntz takes time out from lunch to give you his assurance that there is life beyond the blues scale.
Even though these days it takes a lot of idealism to produce an instrumental record, I strongly encourage everybody who`s playing around with the idea to do so. Just don`t expect to get any money out of it, regardless of the quality of your product. It might happen, but it`s very likely that it won`t. But you will have the best musical business card there is and a unique document of your own creativity.
The one thing I always try to do is be in a creative state of mind when I compose. It seems that the ideas flow better if you are working on it on an ongoing basis. For a lot of my instrumental tunes, I sometimes get a mental picture of something in my head, and then ask myself what music goes with this scene. This is much like scoring for film--except the film is in my head!
I record at home in my 16 track (analog) studio. It took me lots of time, energy and money but I`m glad that I`ve got one. Nothing can beat a home studio. You can go there anytime you want and not be bothered by anyone other than yourself. You don`t have to book time, and pay by the hour. Unless you`re a lunatic, that is.