Guitar Nine Columns

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Enjoy over 20 years of staff columns, guest columns, interviews and more!

April-May 2001

Instrumentalist Plans Rock Opera

April-May 2001

Steel String Acoustic Originals

April-May 2001

Music To Curdle Your Milk

April-May 2001

Guitarist Seeks Music Industry Position

April-May 2001

Music industry guru Christopher Knab is back to help you deal with the most striking and effective part of your promotional package.

April-May 2001

Germany`s Martin Behr has made a career out of versatility and he`s willing to share his secrets with you.

April-May 2001

Bill Peck did it, why can`t you? Well, you can.

April-May 2001

Guitarist Gianluca Piersanti preaches a serious focus on phrasing.

April-May 2001

Break out of those ol` common scales with Mr. Hughes.

April-May 2001

How to add a really cool twist to your playing.

April-May 2001

Canadian guitarist David Martone has first-hand advice on tone, tone and more tone.

April-May 2001

Playing guitar in a purple haze, with no concept of the real world? Curtis relates his own take on musical devotion.

April-May 2001

Virtuoso classical guitarist and instructor Jamie Andreas is back with information for the practicing guitarist who wants to see real results.

April-May 2001

Lots of musicians these days are pondering this issue. Indie marketing guru Tim Sweeney is back with the skinny.

April-May 2001

Italian guitar player Francesco Fareri adds more embellishments to his arpeggiated lines.

April-May 2001

Swedish guitarist Sebastian Kalamajski takes his memorization ideas to the next level.

April-May 2001

Ben Sherman offers time-tested advice on learning the ins and outs of modes.

April-May 2001

How to give restaurant patrons a reason to come for the music - in addition to the meal.

February-March 2001

Music industry guru Christopher Knab is back offering a look into the possibilities for licensing and distribution.

February-March 2001

Kevin Ferguson, devotee of uncommon sounds and intervals, reveals how you can explore this area with your own playing.

February-March 2001

Ready to experience horrific encounters with pop culture? Take a ride with Joboj.

February-March 2001

One of the most liberating ways to deliver your music can also be overwhelming.

February-March 2001

A classical sounding etude designed to enhance the chops of any serious player.

February-March 2001

Italian guitar player Francesco Fareri suggests several different ways to link arpeggiated lines.

February-March 2001

Canadian guitarist David Martone has first-hand advice on the importance of pre-production.

February-March 2001

Swedish guitarist Sebastian Kalamajski will help you strengthen the mind/fingers connection.

February-March 2001

We all need to play fast at times, right? Let Will Landrum teach you the best way to increase your `MPH`.

February-March 2001

Guitarist Garrett Smith serves up a classical prelude for two electic guitars.

February-March 2001

Neil Haverstick completes his fantastic series on the myriad ways to make a good living playing the guitar.

February-March 2001

Virtuoso classical guitarist and instructor Jamie Andreas gives you insight into the challenges of improving as a player.

February-March 2001

Everybody does this - but should you? Indie marketing guru Tim Sweeney plays devil`s advocate on this important point.

February-March 2001

Everyone wants to be loved, and for a musician guitar player that means to be heard and loved with unbiased ears. I want to keep the freedom I`ve attained by being a guitarist. That outlaw time zone I mentioned. It`s an achievement that`s ongoing, you could say I have achieved it, but you have to stay on the case, because things can change on any given day. You can`t let creativity stop.

February-March 2001

Actually I started playing flamenco before playing electric guitar. It`s always been a love of mine. Unfortunately, when you`re doing pop records, I`d bring it out. The response I`d get is, `Save it for your own record.` So I have my own flamenco record which came out a couple of months ago.

February-March 2001

Well, this a great time for bands and independent record labels. The exposure is endless and the quality is so much better than even 10 years ago. I think bands will get smart and start to depend less on the company to put it in stores and see more of the future music listeners downloading the album. This would cost less for the buyer and give more to the band.

February-March 2001

Solo Acoustic Fingerstyle Guitarist

February-March 2001

Latin/Flamenco Based Music Marks Debut

February-March 2001

Full-Time Musician Promotes Original CDs

February-March 2001

Personal Blues Sound Attracts Attention

February-March 2001

Instrumentalist Fuses Rock, Blues, Jazz, Funk & Country

February-March 2001

When Irish Shred Is Smiling

February-March 2001

Developing A Modern Arpeggione

February-March 2001

Hammering Home Guitar Fury

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