Guitar Nine Columns: Guest Columnists

Displaying 505 - 546 of 1216

Enjoy over 25 years of staff columns, guest columns, interviews and more!

August-September 2004
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas talks about getting the most out of yourself in order to play at a higher level.

August-September 2004
Drew Vics

Drew Vics paraphrases the famous Nike slogan and applies it to the six string.

August-September 2004
Barrett Tagliarino

Use this scale to yield great sounds in jazz and ragtime, through perilous horror-film mayhem, cheese-metal and progressive rock fusion.

August-September 2004
Dale Turner

How to protect yourself when recording covers, as well as ensuring the original songwriter gets his/her due.

August-September 2004
Mike Campese: The Fire Within

The second part of taking a well-known violin caprice to the six-string.

August-September 2004
Randy Ellefson

Creating a harmonic relationship between sections and adding to the sense of forward motion - Randy Ellefson is here with some great ideas.

August-September 2004
Dan Keller

Let the Sultan of String blend, meld, mix and match scales, yielding a unique, exotic effect.

October-November 2004
Tim Sweeney

Indie marketing guru Tim Sweeney talks about alternate ways of interpreting both positive and negative feedback.

October-November 2004
Christopher Knab

Music industry consultant Christopher Knab shares his crazy, bizarre and clueless electronic correspondence.

October-November 2004
Dan Lambert

What Dan`s learned, from beginning on an instrument - to sustaining a career.

October-November 2004
Ivan Bertolla

Ivan Bertolla is here to help you move music composition outside the normal I IV V zone.

October-November 2004
David Vincent Jones

Don`t try to do it all! Guitarist Neil Brocklebank`s logistics manager discusses the importance of a great support crew.

October-November 2004
Dan Keller

Do you want to play arpeggio-like melodies with "ear-caching" tensions? Let the Sultan of String show you how.

October-November 2004
Mike Walsh

Hess guitarist Mike Walsh can`t stress enough the importance of a music education.

October-November 2004
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas is back with tips on a technical area that is of major concern to players

October-November 2004
Mike Campese: The Fire Within

Do you know them? You must know them! Check out Mike Campese`s essential scales review.

October-November 2004
Joe Bochar

Instrumentalist Joe Bochar, AKA Joboj, plants tongue firmly in cheek to help you burn up the fretboard.

October-November 2004
Randy Ellefson

How using only two fingers creates more advanced possibilities for interval riffs.

October-November 2004
David Martone

Canadian guitarist David Martone`s thoughts after a successful summer tour.

December-January 2004
Tim Sweeney

Indie marketing guru Tim Sweeney talks about the importance of commitment.

December-January 2004
Dale Turner

How about a career as a professional transcriber and arranger? Let`s discuss.

December-January 2004
David Vincent Jones

Are you persistent? Guitarist Neil Brocklebank`s logistics manager gives you a heads up on dealing with 99% of music business personalities.

December-January 2004
Metal Mike Chlasciak

Want to make a great impression with your music? Or would you rather wrap fish? Check out Metal Mike`s advice.

December-January 2004
Peter Neri

You`ve had it, you know you have.

December-January 2004
Kevin Ferguson

Kevin Ferguson, devotee of complex time signatures, reveals how you can master this area of technique.

December-January 2004
David Martone

Canadian guitarist David Martone has some great ideas for all your spare video footage.

December-January 2004
Mike Campese: The Fire Within

More ideas on how you can add a really cool twist to your playing.

December-January 2004
Christopher Knab

Music industry consultant Christopher Knab comments on both mythological and practical keys to success.

December-January 2004
Alan Lennon

Let guitarist Alan Lennon take you through the basics of writing songs, starting with the fundamentals of chord progressions.

December-January 2004
Tony Koretz

A practical approach to getting a good recorded acoustic guitar sound.

December-January 2004
Tom Hess Opus 2

Neo-classical guitarist Tom Hess weighs in on the debate over DIY or professional instruction.

December-January 2004
Mike Walsh

Hess guitarist Mike Walsh explains why high caliber playing is important to self-expression.

December-January 2004
Mark Carozza

Bassist and guitarist Mark Carozza lays out some of his tried and true rut-busting ideas.

February-March 2005
Mike Walsh

Hess guitarist Mike Walsh returns with an essential list of items you`ll need for your live shows.

February-March 2005
David Martone

Hot tips on triggering kick drum samples for a great low end, with Canadian guitarist David Martone.

February-March 2005
Mike Campese: The Fire Within

Mike Campese opens 2005 with a great workout for your pickin` hand.

February-March 2005
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas believes organization is power. Soon, you will too.

February-March 2005
Scott Tarulli

Scott Tarulli offers great suggestions on keeping your eye on your goals for self-improvement.

February-March 2005
Drew Vics

Drew Vics stresses the importance of a good foundation.

February-March 2005
Dan Keller

Interested in an aural and methodical inspiration? Let the Sultan of String show you his thematic ideas.

February-March 2005
Paul Adams

How limitation can actually be the vehicle that propells one toward their own statement of purpose.

February-March 2005
Fc Bester

Audio mastering specialist FC Bester cuts right to the chase on what to do before sending off your project to a mastering facility.

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