Guitar Nine Columns

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Enjoy over 24 years of staff columns, guest columns, interviews and more!

December-January 2001

Mike is back to help you coordinate your hands, while developing speed and accuracy.

December-January 2001

Yet another weapon in the arsenal of techniques you can use to spice up your music.

December-January 2001

Virtuoso classical guitarist and instructor Jamie Andreas discusses the little discussed subject of fingering.

December-January 2001

Indie marketing guru Tim Sweeney opens up the mailbag to answer a question about `street marketing`.

December-January 2001

I was on mp3.com for a while, but my opinion of the web is that piracy seems to be the end result of all the freebies, so we are staying with pressings even though they get copied and sent out for free. I`m a professional recording artist, so I`m committed to charging for my work.

December-January 2001

I usually will come up with ideas by throwing on my drum machine and just playing riffs, or by sitting in front of the TV and getting inspiration from whatever is on. I wrote the song "The Fugitive" while watching the movie of the same name. All the action was incredible, and the song turned out to be just as intense.

October-November 2001

Music industry guru Christopher Knab is back talkin` barcodes.

October-November 2001

An in-depth look at Fareri`s neo-classical shred debut from the guitarist himself.

October-November 2001

Composition angles from the man known as Beurks.

October-November 2001

One Brit`s opinon on the future of rock `n` roll.

October-November 2001

Mike is back with a follow up lesson to help you work the neck to squeeze more creativity out of your chording.

October-November 2001

Don`t send that master tape off to the duplicators without first checking out Steve Trovato`s final mix tips.

October-November 2001

An Italian guitarist is prepared to expand your chormatic awareness.

October-November 2001

Virtuoso classical guitarist and instructor Jamie Andreas helps you master the deceptively difficult changes in your life.

October-November 2001

Indie marketing guru Tim Sweeney discusses the hidden secrets of how major labels evaluate the artists they are considering signing to their rosters.

October-November 2001

Canadian guitarist David Martone opens up the mailbag to answer a reader question about tone.

October-November 2001

If I want to compose neoclassical metal, I would be listening and analyzing all the CDs that I`ve got in my collection. Then I am ready to absorb all these influences into my playing and my compositions. The good thing is that the final result is totally different from the tunes that I listened to for inspiration.

October-November 2001

Musically Captivating Acoustic Blend

October-November 2001

A Pattern Of Heavy Progressive Fusion

October-November 2001

Ambient Neo-Progressive Cyber-Rock

October-November 2001

Fluid, Laid-Back Jazz

TL2
October-November 2001

Contrasting Styles Drive Instrumental Rock

October-November 2001

Solo Bass Rarity

October-November 2001

Guitar-Oriented Rock/Blues Band

October-November 2001

Future Bass Shredder

October-November 2001

Latin Jazz Guitarist Looks To Shine

October-November 2001

Sweden's New Instrumental Progressive Rock

October-November 2001

Hard-Driving Southern Rock

October-November 2001

Releases New Acoustic Solo Guitar Album

August-September 2001

Spanish Instrumentalist's Raw Hard Rock

August-September 2001

Comtemporary Electric Folk Guitar

August-September 2001

Vibrant Acoustic Excursions

August-September 2001

Real New Jersey Hard Rock

August-September 2001

Acoustically Combining Ethnic Influences

August-September 2001

Guitar As Sound Source For Improvisation

August-September 2001

Modern Jazz Meets World Cultures

August-September 2001

Blues To Country, Jazz To Rock

August-September 2001

An Abundance Of Guitar Styles

August-September 2001

Instrumental Heavy Metal Shred From Italy

August-September 2001

Rocking The Folk With Blues

August-September 2001

Dance Beat-Driven Progressive Groove

August-September 2001

Music industry guru Christopher Knab is back discussing the relationship between these business entities.

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