Mike is back to help you coordinate your hands, while developing speed and accuracy.
Vol. 25, No. 1: June-July 2020
Displaying 3487 - 3528 of 4067
Enjoy over 24 years of staff columns, guest columns, interviews and more!
Mike is back to help you coordinate your hands, while developing speed and accuracy.
Yet another weapon in the arsenal of techniques you can use to spice up your music.
Virtuoso classical guitarist and instructor Jamie Andreas discusses the little discussed subject of fingering.
Indie marketing guru Tim Sweeney opens up the mailbag to answer a question about `street marketing`.
I was on mp3.com for a while, but my opinion of the web is that piracy seems to be the end result of all the freebies, so we are staying with pressings even though they get copied and sent out for free. I`m a professional recording artist, so I`m committed to charging for my work.
I usually will come up with ideas by throwing on my drum machine and just playing riffs, or by sitting in front of the TV and getting inspiration from whatever is on. I wrote the song "The Fugitive" while watching the movie of the same name. All the action was incredible, and the song turned out to be just as intense.
Music industry guru Christopher Knab is back talkin` barcodes.
An in-depth look at Fareri`s neo-classical shred debut from the guitarist himself.
Composition angles from the man known as Beurks.
One Brit`s opinon on the future of rock `n` roll.
Mike is back with a follow up lesson to help you work the neck to squeeze more creativity out of your chording.
Don`t send that master tape off to the duplicators without first checking out Steve Trovato`s final mix tips.
An Italian guitarist is prepared to expand your chormatic awareness.
Virtuoso classical guitarist and instructor Jamie Andreas helps you master the deceptively difficult changes in your life.
Indie marketing guru Tim Sweeney discusses the hidden secrets of how major labels evaluate the artists they are considering signing to their rosters.
Canadian guitarist David Martone opens up the mailbag to answer a reader question about tone.
If I want to compose neoclassical metal, I would be listening and analyzing all the CDs that I`ve got in my collection. Then I am ready to absorb all these influences into my playing and my compositions. The good thing is that the final result is totally different from the tunes that I listened to for inspiration.
Musically Captivating Acoustic Blend
A Pattern Of Heavy Progressive Fusion
Ambient Neo-Progressive Cyber-Rock
Contrasting Styles Drive Instrumental Rock
Guitar-Oriented Rock/Blues Band
Latin Jazz Guitarist Looks To Shine
Sweden's New Instrumental Progressive Rock
Releases New Acoustic Solo Guitar Album
Spanish Instrumentalist's Raw Hard Rock
Comtemporary Electric Folk Guitar
Acoustically Combining Ethnic Influences
Guitar As Sound Source For Improvisation
Modern Jazz Meets World Cultures
Blues To Country, Jazz To Rock
An Abundance Of Guitar Styles
Instrumental Heavy Metal Shred From Italy
Rocking The Folk With Blues
Dance Beat-Driven Progressive Groove
Music industry guru Christopher Knab is back discussing the relationship between these business entities.