Guitar Nine Columns

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Enjoy over 20 years of staff columns, guest columns, interviews and more!

October-November 2001

One Brit`s opinon on the future of rock `n` roll.

October-November 2001

Mike is back with a follow up lesson to help you work the neck to squeeze more creativity out of your chording.

October-November 2001

Don`t send that master tape off to the duplicators without first checking out Steve Trovato`s final mix tips.

October-November 2001

An Italian guitarist is prepared to expand your chormatic awareness.

October-November 2001

Virtuoso classical guitarist and instructor Jamie Andreas helps you master the deceptively difficult changes in your life.

October-November 2001

Indie marketing guru Tim Sweeney discusses the hidden secrets of how major labels evaluate the artists they are considering signing to their rosters.

October-November 2001

Canadian guitarist David Martone opens up the mailbag to answer a reader question about tone.

October-November 2001

If I want to compose neoclassical metal, I would be listening and analyzing all the CDs that I`ve got in my collection. Then I am ready to absorb all these influences into my playing and my compositions. The good thing is that the final result is totally different from the tunes that I listened to for inspiration.

October-November 2001

Musically Captivating Acoustic Blend

October-November 2001

A Pattern Of Heavy Progressive Fusion

October-November 2001

Ambient Neo-Progressive Cyber-Rock

October-November 2001

Fluid, Laid-Back Jazz

TL2
October-November 2001

Contrasting Styles Drive Instrumental Rock

October-November 2001

Solo Bass Rarity

October-November 2001

Guitar-Oriented Rock/Blues Band

October-November 2001

Future Bass Shredder

October-November 2001

Latin Jazz Guitarist Looks To Shine

October-November 2001

Sweden's New Instrumental Progressive Rock

October-November 2001

Hard-Driving Southern Rock

October-November 2001

Releases New Acoustic Solo Guitar Album

August-September 2001

Spanish Instrumentalist's Raw Hard Rock

August-September 2001

Comtemporary Electric Folk Guitar

August-September 2001

Vibrant Acoustic Excursions

August-September 2001

Real New Jersey Hard Rock

August-September 2001

Acoustically Combining Ethnic Influences

August-September 2001

Guitar As Sound Source For Improvisation

August-September 2001

Modern Jazz Meets World Cultures

August-September 2001

Blues To Country, Jazz To Rock

August-September 2001

An Abundance Of Guitar Styles

August-September 2001

Instrumental Heavy Metal Shred From Italy

August-September 2001

Rocking The Folk With Blues

August-September 2001

Dance Beat-Driven Progressive Groove

August-September 2001

Music industry guru Christopher Knab is back discussing the relationship between these business entities.

August-September 2001

Germany`s Rolf Munkes brings us a workshop which delves into the essential elements of his guitar style.

August-September 2001

An egoless way to get your name out there.

August-September 2001

Mike is back to teach you to work the neck to squeeze more creativity out of your chording.

August-September 2001

Brazilian guitarist teaches by example in his first Guitar Nine column.

August-September 2001

Colin Mandel is back with the third and final installment of his odd meter trilogy.

August-September 2001

Canadian guitarist David Martone returns with his insights on the home digital studio phenomenon.

August-September 2001

Virtuoso classical guitarist and instructor Jamie Andreas discusses a controversial topic, is talent born, or made? You decide.

August-September 2001

Indie marketing guru Tim Sweeney defines Soundscan and its relevance to indie artists.

August-September 2001

If you`ve got what it takes, check out Steve Trovato`s thoughts on the subject.

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