Guitar Nine Columns: Guest Columnists

Displaying 631 - 672 of 1230

Enjoy over 25 years of staff columns, guest columns, interviews and more!

June-July 2006
Tom Hess Opus 2

Tom Hess urges you to get beyond `guitarist` and `musician` to uncover the `artist` within.

June-July 2006
DC Slater

How to produce recordings that sound great and are easy on the ears.

June-July 2006
Guy Pople

If it has ever crossed your mind to have a go, or you just feel vaguely dissatisfied with 6 strings, then read this.

June-July 2006
Danny Jones

Danny Jones is back, taking wide interval links and making cool runs out of 'em.

June-July 2006
David Martone

Here`s why you leave mastering to the masters, by Canadian guitarist David Martone.

August-September 2006
Christopher Knab

Music industry guru Christopher Knab talks about keys to staying in a label`s good graces.

August-September 2006
Mike Campese: The Fire Within

More ideas to help you memorize your scales break out of the patterns and ruts you have been stuck in.

August-September 2006
Sean Farrington

The third installment of strategies that successful independent artists use to profit from their passion for music.

August-September 2006
Tom Hess Opus 2

How long you practice is not always as important as what you choose to focus your practice time on.

August-September 2006
Patrick DeCoste

"Is learning music theory really necessary for me?" Patrick DeCoste explores possible answers.

August-September 2006
Guy Pople

Discoveries are unearthed that reinforce the assertion that the 7-string represents evolutionay progression.

August-September 2006
Tim Sweeney

Indie marketing guru Tim Sweeney is back promoting the idea of inclusion.

August-September 2006
Danny Jones

Danny Jones knows you don`t have enough time to practive - or maybe you do.

August-September 2006
David Martone

A look at Canadian guitarist David Martone latest educational tour and photo op.

October-November 2006
David Martone

Canadian guitarist David Martone`s recent clinic with Jennifer Batten.

October-November 2006
Mike Campese: The Fire Within

These ideas will really add some spice to your playing.

October-November 2006
Tom Hess Opus 2

Do you know the difference between an amateur and a professional? Learn the difference between `just playing well` and mastery.

October-November 2006
Patrick DeCoste

Patrick DeCoste returns with tips on `playing to the sound`.

October-November 2006
Sean Farrington

The fourth installment of strategies that successful independent artists use to profit from their passion for music.

October-November 2006
Robert Walker

Most guitarist are predominantly one or the other. Here`s some ways to achieve some balance.

October-November 2006
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas helps you to both figure out, and master, the neck.

October-November 2006
Randy Ellefson

Guitarist Randy Ellefson hopes you never need this article. But if you do, read on.

October-November 2006
Tim Sweeney

Indie marketing guru Tim Sweeney is back to help influence your priorities.

October-November 2006
Christopher Knab

Music industry guru Christopher Knab helps you write a cover letter, complee with a prototype and instructions.

October-November 2006
Guy Pople

Guy Pople delves into independence and rudimentary music theory.

December-January 2006
Tim Sweeney

Indie marketing guru Tim Sweeney teaches you to be analytical about alleged personal attacks.

December-January 2006
Sean Farrington

A well maintained and growing email list can be a mighty, mighty tool.

December-January 2006
Patrick DeCoste

A quick look at various picking techniques.

December-January 2006
Tom Hess Opus 2

Neo-classical guitarist Tom Hess was a bad student too, but he got his act together, and you can as well.

December-January 2006
Christopher Knab

Music industry guru Christopher Knab shows that access to the audience mean you need to know who`s guarding the gate.

December-January 2006
Paul Chase

A story of one humongous traveling guitar.

December-January 2006
David Wright

Complex music requires thought and preplanning in order to get the best results.

December-January 2006
David Martone

Canadian guitarist David Martone`s most recent Atlantic clinic tour debrief.

December-January 2006
John Baboian

How to avoid "wrong notes" on your way to creating interesting, improvised lines.

December-January 2006
Tony Koretz

Fitting those killer electric guitar tracks into the mix at mixdown.

December-January 2006
Paul Tauterouff

Can you cure a case of guitar hero "Clone-itus?" Here`s some cure-all.

December-January 2006
Guy Pople

Understanding how a key can be made to reveal its chordal treasure is invaluable knowledge.

February-March 2007
Kevin M. Buck

What`s the best way to organize vast amounts of musical information in your mind? Kevin Buck has some ideas for you.

February-March 2007
Robert Walker

It`s easy than you think to play the fool.

February-March 2007
Scott Allen

Regular rehearsals and practice sessions can help take you to the next level.

February-March 2007
Mr. Moe

Using simple guitar overdubs to great effect.

February-March 2007
Adam Moore

Stimulate your guitar practice and composition by finding alternative angles and methods of reinterpretation.

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