Guitar Nine Columns: Guest Columnists

Displaying 631 - 672 of 1214

Enjoy over 25 years of staff columns, guest columns, interviews and more!

October-November 2006
Tom Hess Opus 2

Do you know the difference between an amateur and a professional? Learn the difference between `just playing well` and mastery.

October-November 2006
Patrick DeCoste

Patrick DeCoste returns with tips on `playing to the sound`.

October-November 2006
Sean Farrington

The fourth installment of strategies that successful independent artists use to profit from their passion for music.

October-November 2006
Robert Walker

Most guitarist are predominantly one or the other. Here`s some ways to achieve some balance.

October-November 2006
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas helps you to both figure out, and master, the neck.

October-November 2006
Randy Ellefson

Guitarist Randy Ellefson hopes you never need this article. But if you do, read on.

October-November 2006
Tim Sweeney

Indie marketing guru Tim Sweeney is back to help influence your priorities.

October-November 2006
Christopher Knab

Music industry guru Christopher Knab helps you write a cover letter, complee with a prototype and instructions.

October-November 2006
Guy Pople

Guy Pople delves into independence and rudimentary music theory.

December-January 2006
Tim Sweeney

Indie marketing guru Tim Sweeney teaches you to be analytical about alleged personal attacks.

December-January 2006
Sean Farrington

A well maintained and growing email list can be a mighty, mighty tool.

December-January 2006
Patrick DeCoste

A quick look at various picking techniques.

December-January 2006
Tom Hess Opus 2

Neo-classical guitarist Tom Hess was a bad student too, but he got his act together, and you can as well.

December-January 2006
Christopher Knab

Music industry guru Christopher Knab shows that access to the audience mean you need to know who`s guarding the gate.

December-January 2006
Paul Chase

A story of one humongous traveling guitar.

December-January 2006
David Wright

Complex music requires thought and preplanning in order to get the best results.

December-January 2006
David Martone

Canadian guitarist David Martone`s most recent Atlantic clinic tour debrief.

December-January 2006
John Baboian

How to avoid "wrong notes" on your way to creating interesting, improvised lines.

December-January 2006
Tony Koretz

Fitting those killer electric guitar tracks into the mix at mixdown.

December-January 2006
Paul Tauterouff

Can you cure a case of guitar hero "Clone-itus?" Here`s some cure-all.

December-January 2006
Guy Pople

Understanding how a key can be made to reveal its chordal treasure is invaluable knowledge.

February-March 2007
Kevin M. Buck

What`s the best way to organize vast amounts of musical information in your mind? Kevin Buck has some ideas for you.

February-March 2007
Robert Walker

It`s easy than you think to play the fool.

February-March 2007
Scott Allen

Regular rehearsals and practice sessions can help take you to the next level.

February-March 2007
Mr. Moe

Using simple guitar overdubs to great effect.

February-March 2007
Adam Moore

Stimulate your guitar practice and composition by finding alternative angles and methods of reinterpretation.

February-March 2007
David Martone

Direct from Brainworks, more useful tips on miking up a full drum kit, with Canadian guitarist David Martone.

February-March 2007
Tom Hess Opus 2

Neo-classical guitarist Tom Hess lays out an effective, step-by-step plan for developing speed.

February-March 2007
Tim Sweeney

Indie marketing guru Tim Sweeney asks, "Are you including your new and existing fans, or are you excluding them?

February-March 2007
Patrick DeCoste

Patrick DeCoste discusses the essential art of two handed muting.

February-March 2007
Christopher Knab

Music industry guru Christopher Knab shows there are only two grades on a music retail report card - either you sold records or you didn`t.

February-March 2007
Guy Pople

Revealing an altogether more subtle harmonic concept.

April-May 2007
German Schauss

Think in terms of five, as you work on these 3+2 ideas.

April-May 2007
Tom Hess Opus 2

Tom Hess with ideas on selecting and using a compositional process that works best for you.

April-May 2007
Tim Sweeney

Indie marketing guru Tim Sweeney helps you get through to writers and reviewers at newspapers, magazines and web sites.

April-May 2007
Patrick DeCoste

Patrick DeCoste is back to help you push the boundaries of harmonics.

April-May 2007
Christopher Knab

Music industry guru Christopher Knab reminds you that it takes money to make money with your music.

April-May 2007
David Martone

Want to make some extra money with your project studio? Check in with Canadian guitarist David Martone.

April-May 2007
Terry Syrek

Terry Syrek will slap you silly if you even attempt a wank tap.

April-May 2007
Paul Nelson

An inside look at how one key can affect the sound of another.

June-July 2007
David Martone

Here`s a great way to fatten up any guitar tone, with Canadian guitarist David Martone.

June-July 2007
German Schauss

Give your picking a boost with German`s crazy ideas.

Pages