Guitar Nine Columns

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Enjoy over 23 years of staff columns, guest columns, interviews and more!

August-September 2002

Why you need a number of tones to impress, by Canadian guitarist David Martone.

August-September 2002

I recently purchased an 18 track digital recorder made by Roland. I love having it and I`m amazed at the quality recordings with relatively little effort. I plan to do the third Delirious Tremor CD with it, as well as most future projects.

August-September 2002

The gear we use is a major part of the Plankton sound. We¥re resting on a solid foundation of the classic sounds from the 60¥s and 70¥s, made famous by Hendrix, Cream and Led Zeppelin among others. It¥s basically Strats into various vintage Marshall amps and cabinets.

June-July 2002

Neo-classical guitarist Tom Hess shows you how to select a good guitar instructor (and how to avoid a bad one).

June-July 2002

Mike returns with some fun arpeggio licks he uses in his own playing.

June-July 2002

Greg Rapaport discusses the importance of maintaining your timing and rhythm while improvising.

June-July 2002

Joboj takes you through MIDI drums In 7222 characters or less (give or take).

June-July 2002

Guitarist Williford pushes the envelope with 4 note per string legato licks and sequences.

June-July 2002

Indie marketing guru Tim Sweeney on getting the most from your hometown fans.

June-July 2002

Music industry guru Christopher Knab teaches you what it takes to compete for radio play.

June-July 2002

Why your drum machine may be a demo-only tool, by Canadian guitarist David Martone.

June-July 2002

Even more ways to spice up our old pal: the Dorian mode.

June-July 2002

Liquid Note Records (or LNR) was set up to principally cater for virtuoso instrumental guitar music - though that`s not to rule out the possibility that we`ll also release vocal albums in the future. LNR`s aim is to release albums every bit as good - or, dare I say it, better - than those released by the mighty Shrapnel.

June-July 2002

The beauty of being an independent artist is that I don`t die if I don`t score a big record deal! I`ll still have a career. These days with stevefister.com, Guitar 9, and some independent distribution, I can grow and have more control over my musical fate. A new CD means a bright new day, with more to follow!

June-July 2002

I`ve been playing guitar for 35 years, and still find it very challenging, and exciting. I work at it every single day, and realize that the real fun and spirit of this entire process of being a professional player is the `journey`, not the `end-game`. Sometimes I feel as if I am just getting started. The most important aspect of learning different styles of music, is one`s genuine love for that particular style.

June-July 2002

Melding Jazz Guitar With Experimental Sensibilities

June-July 2002

Classical Guitar Meets Electric Guitar

June-July 2002

Illigitamate Offspring Of KISS Meet Godsmack

June-July 2002

Professional Musician Makes Waves

June-July 2002

Surprising Program Of Jewish Music

June-July 2002

Experimental Explorations On Electric Guitar

June-July 2002

Dispensing Jazz Influenced Abstract Post-Hip Hop

June-July 2002

Instrumental Blues Guitar

June-July 2002

Swedish Instrumental Deflagration

June-July 2002

Jazzy Instrumentals With A Tropical Feel

June-July 2002

Satriani-Inspired Instrumental Rock

June-July 2002

Scotland's Fingerstyle Export

April-May 2002

Makin' The Blues His Business

April-May 2002

Progressive Blended With Americana & Jazz - Progabilly!

April-May 2002

High Energy, Christian Heavy Rock

April-May 2002

Jazz Guitarist Releases Remarkable CD

April-May 2002

Percussive Acoustic Guitarist Plans Career

April-May 2002

Modern Shred Guitar From Germany

April-May 2002

Off-The-Scale Experimental Acoustic

April-May 2002

Street-Wise, Acoustic/Electric Roots Rock

April-May 2002

Group Blends Modern & Classic Rock

April-May 2002

Southern-Fried Slide, Rockin' Blues

April-May 2002

Dark, Moody Instrumental Rock

April-May 2002

L.A.'s Guitar-Based Rock/Pop

April-May 2002

Music industry guru Christopher Knab offers observations that should be taken as wake-up calls about establishing your career.

April-May 2002

Getting rid of those nasty sonic holes in the center of your mix, by Canadian guitarist David Martone.

April-May 2002

Canadian guitarist Greigg Fraser spills the beans on essential reading for guitar students everywhere.

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