Home Studio Registry

Displaying 151 - 200 of 1390

The purpose of the Guitar Nine' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.

Name Primary usesort descending Secondary use Guitars Site
Blaine White Recording Demos Currently, I use 2 Les Pauls, a Strat, and an older peavey acoustic guitar.
Rich Kaynan Recording Composition 2003 Les Paul Standard, 1978 Ibanez Artist, Conn Acoustic, NS2000 Bass. Yes
Angel Calvo Recording Practice/Rehearsal Ibanez JS-1000 Ibanez RG-420
Marc Teamaker Recording Composition 1966 Fender Telecaster, 1972 Gibson ES 335, 1962 Fender Stratocaster, Dan Electro 12 String, Martin D16 , Guild G 37, Guild D 35, Fender Jazz Bass plus many more that pass thru from time to time. Yes
Hasil Kureshi Recording Practice/Rehearsal Yamaha rgx
Doug Wadsworth Recording Practice/Rehearsal Taylor W-14CE, Yamaki Deluxe, Peavey T-40 Bass, Yamaha Pacifica 921 Yes
Michael Koumbas Recording Composition Les Paul CUstom IBANEZ RGT220 MUSIC MAN PETRUCCI.. Yes
Matt Seiler Recording Commercial work Carvin DC400, clear over quilted maple, gold hardware. Carvin DC200 blueburst, silver hardware. Carvin bolt guitar, greenburst and no inlays on the rosewood neck. Carvin LB75 bass. '62 Fender Duo-Sonic, Ephiphone PR15E, Ovation 12-string, Yamaha CG-100A classical, Kramer Focus 2000 and 3000. Just added are a Danelectro doubleneck with a regular 6-string and a baritone neck and a new Epiphone Emperor II Joe Pass model. Bridge and tailpiece are from Benedetto's line (and I made 'em myself).
Sascha Beselt M.A. Recording Composition Approx. 20 electric and acoustic guitars as well as basses. Brands like G&L, Fernandes, Ibanez, Amistar, Yamaha, Chery, Hoyer, Garrison, Art and Lutherie, Framus, Fern, Peavey, Schack and probably soon Robin and Carvin. Yes
AttA Ur Rehman Recording Practice/Rehearsal Lead: Ibanez RG7, Jackson DKMG, Yamaha RGX750 , ESP humbird 28 fret Schecter C1 Ibanez RG 4 string bass guitar Shecter 4 string bass guitar Yes
Marvin Gregory Recording Demos Yes
Ken Totushek Recording Commercial work Many varied high end, hand built acoustic guitars, lap steel, resonator, mandolin, and ukeleles. Yes
Richard Pruitt Recording Practice/Rehearsal Gretsch 1959 reissue 6120jr., custom strat.(ash body, rosewood neck, vintage reissue p/ups, Eiphone Les Paul(Dimarzio "Air Norton" neck, Gibson "Dirty Fingers Bridge), Taylor 455 12-string, a Taylor 414 6-str w/ expression system, an Abilene acoustic, and an Ibanez ergondyne bass. Yes
Elliot Cox Recording Commercial work Yes
Harry Evans Recording Commercial work 1963 jazzmaster, 1970 SG with bigsby, 1977 gibson RD custom, ibanez acoustic, Yes
Dennis D Whitney Recording Composition Ibanez Rg series,Roadstar 2 and Proline Electrics. Fender acoustic and Dean 4 string Electric Bass Yes
Steven Devino Recording Composition PRS, Stratocaster, Telecaster, Gibson Humingbird, Taylor 12 string, Taylor 6 string Yes
Simon Nelson Recording Composition 1994 Epiphone Riviera (cherry), 1958 Fender Duosonic with 1970's Warmouth neck and other replacement bits and bobs, 1930's/40's Regal parlour acoustic, 1967 Epiphone FT-30 Caballero acoustic, 70's Hondo (I think) copy of Rickenbacker 4003 (black), 90's Aria Pro II TA40 (wine red), unnamed cuban laoud (weird 12-string thing - see "Buena Vista Social Club")
Bjoern Lindseth Recording Practice/Rehearsal Fender Stratokaster with 2 emg sa's and one emg.83 Yes
Brian Spony Recording Demos ESP, Ibanez, PRS guitars, various heads and cabs
Thomas Foutch Recording Demos Gibson, Taylor, Martin, Danelectro, Strat, etc..... Yes
Bob Metivier Recording Practice/Rehearsal Ibanez Classical (Acoustic-Electric) Takamine jj325sc (Acoustic Electric) Fender Strat (with EMG pickups) Yes
Michael Warshaw Recording Demos Fender 50's Reissue Strat, Squire Telecaster, Fender American Standard Strat, Danelectro '56 U-1, '59 Harmony Stratotone, Eppiphone G-400 (American), '58 Eppiphone Texan, Eppiphone Les Paul Std, Simon and Patrick SP-6, Guild Classical, and a Sigma 12-String. Fender P-Bass, and (hey the price was right) a Carlo Robelli Fretless 4 string bass, Gibson Les Paul Standard Yes
Craig McDonald Recording Commercial work I only use 'Ibanez' guitars. I have played these guitars for years and have a collection of 6 x 'RG' models. All have been slightly modified (pickups / switching). Yes
Richard Parks Anderson Recording Recording Classical guitar made by sam dunlop
Gary Newton Recording Composition Marin D-35, Fender "Bullet"strat, Honer hollow body fretless bass, Fender Precision Bass, '57 re-issue
Tim Nienhuis Recording Commercial work Guitars: Electric 78' Gibson Les Paul Deluxe 65' Gibson SG Jr. 67' Gretsch Tennesean 81' Fender Telecaster 81' Fender Strat 94' Tyler Studio Elite Strat 07' Duesenberg Starplayer Acoustic 70' Martin D-28 Larrivee D-09 Larrivee L-03 Yamaha 12 String Amps: 66' Fender Pro Reverb 63' Fender Bassman 65' Fender Princeton Reverb 70' Marshall Super Bass 70' Marshall Super Lead (Modded by Dave Friedman) Bad Cat Cub II Reverb Native Instruments Guitar Rig Native Instruments Guitar Combos Yes
bryan martin Recording Demos Ibanez with tone zone pickup Yes
Joe Higgins Recording Demos Larivee D5 Bozo Dreadnaught
Jack Morton Recording Commercial work LES PAULS/GIBSON NIGHTHAWK/GUILD Yes
William Keith Rogers Recording Other Early '70's Telecaster (custom), Gibson Chet Atkins acou/elec., whatever client provides Yes
Gairy Callam Recording Demos
Hugh McMonagle Recording Demos Old Hohner acoustic -mid '80's starter guitar. Rikter Les paul copy.
John Spokus Recording Practice/Rehearsal Fender Stratocaster, Harmony Meteor,Rickenbacker 620, Fender F-35 acoustic, Seville Melody Maker copy, Rickenbacker 4001, Rickenbacker 2030, Fender Jazz bass, Epiphone T-185 bass converted to fretless, Danelectro '58 Longhorn bass re-issue Yes
Keith Hobson Recording Composition Many Yes
David J. Parsons Recording Practice/Rehearsal Jackson King V Pro-Mustaine, Ibanez "Destroyer", Ovation Balladeer, Fender Strat (USA), Carvin 5-String Yes
Chad D. Austin Recording Composition Main: Charvel Predator, 2nd: custom-built DiMarzio, bass- Ibanez TR, acoustic- handmade Ibanez (a/e) and Charvel (a/e) 12-string Yes
Erik deValk Recording Practice/Rehearsal Classic Fender Stratocaster Takamine mic'd acoustic 6 string
Robert A. Hendrix Recording Practice/Rehearsal Ovation 2000 Collectors acoustic-electric and Ibanez Artcord Archtop, 2-pickup electric-acoustic with quiver bar - the preamp and built-in tuner on the Ovation can run off phantom power from the Kustom PA if using XLR balanced input plugs; Samick Greg Bennett 4-string acoustic electric bass guitar; Angelica flat top acoustic (mostly for slide guitar). Yes
Dave Pelvin Recording Demos Gibson Les Paul Studio, Marshall Stack rare JCM 800 head Epiphone acoustic
Stewar Rollinson Recording Composition Ibanez Jem 7 Ibanez JS1. Ovation Ultra Slim ( Acoustic Electric) Tanglewood ( Acoustic Electric)
Anthony Paganini Recording Demos Studio Owns: Ibanez RG guitars, Martin DM Acoustic, Ibanez Basses, and a Woody Phiffer Custom 5 String Bass
Neil Zaza Recording Composition Music Man EVH (hardtail), 2 Zion semi hollow Teles, Fender Strat ('57 reissue), Hamer Duotone, Artist Archtop, Daytona, "Spider-Man", and Sustainiac Ovation Collector Series Acoustics Yes
Danny Johnson Recording Commercial work Gibson Les Pauls, fender Telecasters and Strats, Paul reed Smith's, Carvin Guitars, Taylor Accoustic's several Misc. brands Yes
Carlos Torres Recording Demos Washburn WI14, Accoustic Guitar Generic.
Thomas Kleppick Recording Jamming/Fun FENDER STRAT,PAUL REED SMITH,BRIAN MOORE,WOLFGANG,TELE,
Andy Pearson Recording Composition Fender Telecaster, Yamaha Acoustic apx 6,Framus semi/acoustic, Fender precision bass. Yes
Jim Kennedy Recording Composition Yes
Beau Hall Recording Demos Fender Strat, Gibson Les Paul, custom Strats, mexi-Teles. Peavey 5-str bass (don't know which one) Yes
Edward Dyk Recording Composition The studio features an array of guitars built by Gibson, Fender, Stienberger, Kramer, and a custom by Daniel Harrington. Every guitar has been highly customized for playability and tone. Yes

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