Home Studio Registry

Displaying 1101 - 1150 of 1386

The purpose of the Guitar Nine' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.

Name Primary use Secondary usesort descending Guitars Site
Jack Morton Recording Commercial work LES PAULS/GIBSON NIGHTHAWK/GUILD Yes
Michael Hund Demos Commercial work Fender,gibson.martin,onzo,wolfgang,ibanez Yes
David Pinson Demos Commercial work Ovation, Fender Yes
Wez Thompson Demos Commercial work Ibanez jem x3 ,ibanez rg 570, kramer,charvel,jackson,tele,yamaha bass ( 5 string ) and fretless,maton acoustic Yes
Sean Walsh Demos Commercial work '75 Fender Strat, Ovation Acoustic and Various electrics, acoustics and basses.
Andi Gisler Recording Commercial work Fender '57 reissue Strat, Japan 50ies Telecaster, 1936 Gibson EH-150 lap steel, 1959 Gibson LG-2, Danelectro Convertible + 12-String Yes
Riccardo Ferranti Composition Commercial work Strato,tele,gibson 347,ibanez,acoustic 6,12 string seagull,ovation classic guitar,fender bass,and other self-made guitars.visit my web! Yes
Rick Jones Recording Commercial work I have about 15. Although an SX Les Paul copy is my favorite, along with a 1960 vintage Kay bass. Yes
Grant Menmuir Commercial work Commercial work ESP ltd AX 350, BC Rich Mockingbird, Jackson Kelly, Fender Stratocaster. Yes
Marc Hamill Recording Commercial work Tanglewood Electro-acoustic Yes
Reid Bodie Lowery Composition Commercial work Fender Custom Shop SRV Strat and Fender Custom Classic Telecaster; Fender Marcus Miller Jazz Bass
Stanley Lam Recording Commercial work Yahama Yes
Tim Nienhuis Recording Commercial work Guitars: Electric 78' Gibson Les Paul Deluxe 65' Gibson SG Jr. 67' Gretsch Tennesean 81' Fender Telecaster 81' Fender Strat 94' Tyler Studio Elite Strat 07' Duesenberg Starplayer Acoustic 70' Martin D-28 Larrivee D-09 Larrivee L-03 Yamaha 12 String Amps: 66' Fender Pro Reverb 63' Fender Bassman 65' Fender Princeton Reverb 70' Marshall Super Bass 70' Marshall Super Lead (Modded by Dave Friedman) Bad Cat Cub II Reverb Native Instruments Guitar Rig Native Instruments Guitar Combos Yes
Mark Swords Demos Commercial work Gibson Melodymaker, Ibanez Iceman, Ibanez Universe, assortment of Fenders, Alvarez Bass, Peavey TL-6 Bass Yes
Rafael Escandon Demos Commercial work Fender Stratocaster, Ibanez RX-7 Yes
Bob Whiting Recording Commercial work Ibanez Jem, Ibanez RG 6 and 7 string, Fender Strat, Gibson SG and an Alvarez Acoustic
Vesa Ylikoski Composition Commercial work
Arnold Marfoglia Composition Commercial work Acoustic, Electric Yes
David Ruby Recording Commercial work Yes
Mario Aleman Composition Commercial work 1989 Fender American Standard Stratocaster w/ Seymour Duncan pickups, 1998 USA Ovation Collector's Edition steel string acoustic, 2000 USA Ovation 1863 Legend Classical (nylon), 1997 Epiphone Chet Atkins solid body acoustic/electric nylon, Fender American Precision fretless bass. Yes
Matt Gordon Demos Commercial work 63 Gibson ES-335, Pacifica 921, 61 Fender Stratocaster, Taylor 810CE, Yamaha GC30 Classical, Fender DG20CE, Pacifica 112
Terry Noakes Recording Commercial work Fender California series Strat W/bridge H/B, cal/series Tele.Seagull S6 acoustic, Nadine Spector copy Bass guitar. Update both my electric guitars are now loaded with Seymour Duncan pickups Yes
Thomas C. Van Dyke Recording Commercial work Schecter, Fender, C8 winner, Dan Electro
Douglas Patterson Recording Commercial work Fender Telecaster, Fender Precision Bass, and a Hohner HW300 Steel String Acoustic. Yes
Shane Hendricks Recording Commercial work Ibanez JEM77FP, Custom Fernandez Retrorocket X, Ibanez Classical, Epiphone Emperor Reagent, and a customized Martin Electric. Yes
Denny Ballard Jamming/Fun Commercial work I use a Martin HD28M for acoustic recording. That's a mahogany version of an HD28. I find mahogany is more balanced and works better in recording situations. I had to thin my herd when hard times hit, but things are getting better. I recently bought a Huss and Dalton OOO Custom, all mahogany top, back and sides. For electric projects, I play one of two souped up Fender telecasters. One was built by Joe Barden and has 3 Barden pickups. It's very versatile and I can get just about any sound I want with a little tweaking. The Barden humbuckers have a marvelous tone and there is no hum. The other is a Fender custom shop Baja telecaster. It has a custom Twisted Tele neck pickup and a custom Broadcaster bridge pickup. It's got more twang than the other tele and I'm really beginning to like the sound of it. Yes
Albert DeGroft Recording Commercial work 1968 Gibson ES335, 1970's Ovation Yes
Dave Rothan Demos Commercial work Fender 25th Anniversary Strat, Fender 'Roland Ready' Strat, Gibson Les Paul Standard, ESP Mirage Deluxe x 2, Ibanez Destroyer, Charvel 6, Washburn N2 (with GK2A for 'Guitar To MIDI'), Cheapy Eggle, Fender Precision Bass, Hohner B2A Active Headless Bass, Yes
Jeffery David Recording Commercial work Telecasters, Vox Yes
Tom Eaton Recording Commercial work Gibson, Taylor, Martin and Guild acoustics. Fender and Gibson electrics. Yes
Rod L. Short Demos Commercial work Martin HD-35..... Various electrics( mostly vintage Fenders and Gibsons)
Mike Phillips Recording Commercial work Takamine 1983, cutaway with inside pickup. Burns 2002 Brian May Red Special. Yes
Ken Barthell Demos Commercial work Fenders, PRS, Gibson Yes
Greg Benner Commercial work Commercial work Tayolor 714-CE, Custom strat, Carvin Cobalt Jumbo, Carvin 5-string bass, Johnson resonator, Schector Semi-Hollow E-1, Ibanez 4-string bass
Angkoro Soekoro Composition Commercial work Taylor 314CE, Taylor 655CE, Fender Stratocaster Standard. All guitars have had custom neck and fingerboard work to emulate fine tuned and precisioned intonated studio instruments
Richard Wilson Recording Commercial work Tetecaster, Joe Pass Emperier II, FG- Yahama, DY-75 Alverez Yairi Guild Hollow body Bass, Washburn M-20 Mandolin Yes
Craig Learmont Recording Commercial work Peavey G-bass
Billy Marsh Recording Commercial work Rickenbacker, Dano 12-string, Fender Tele, Washburn "Nuno", Hamer Destroyer, Peavey Predator, "Homer" MIDI Guitar (Shadow SH-075 Guitar-to-midi converter), Ovation Celebrity, Ibanez Bass. Yes
Barry Sweitzer Demos Commercial work Epiphone Del Rey, Epiphone acoustic-electric, Bass, Art and Lutherie AMI , PRS SE Soapbar II Yes
Jeff Bragg Recording Commercial work Raven RP450 (3); Epiphone Dot; Fender Telecaster and Stratocaster; Gibson SG; G&L F100; Rogue Doubleneck; Epiphone PR350SLH Yes
Joe Bennett Recording Commercial work PRS ARTIST II , CHARVEL/JACKSON MODEL 6 , EPIPHONE ACOUSTIC
Neal Nagaoka Recording Commercial work ESP Horizons, ESP M-III, Gibson Les Paul, Ovation Legend, Several Fender Strat and Tele, Misc. Electric and Acoustic 6 string and 12 string Guitars, Bass, and Baritone Guitar. Yes
John Naylor Demos Commercial work Ovation Celebrity Deluxe, Fender 70's Strat Yes
Robert Edgar Composition Commercial work Roland GR-33 with a a Strat, Alvarez acoustic 12-string, Taylor 410-K, Baby Taylor, 1960 Gretsch Anniversary Model Yes
Silvio Giarratana Demos Commercial work (++)Electric Guitars: (o)1962 Fender Strat with stock hardware and electronics (o)1969 Les Paul Custom with stock hardware and electronics (o)1971 ES355 with stock hardware and electronics (o)1973 Custom Strat "Crunchy" with Kahler vibrato (neck string clamp removed), Dimarzio DP186 (neck), DP187 ( middle), DP181 (bridge) pickups and Bartolini "The Chip" preamp, GraphTech nut, Spertzel Locking tuners (o)1973 Custom Telecaster "Hele-Tele" with Hipshot Trilogy bridge, Dimarzio Air Classic (neck) and Seymour Duncan Hot Tele Stack (bridge) pickups, GraphTech nut, Schaller locking tuners and Bartolini "The Chip" preamp (o)1978 Custom Flying V "Vee" with Kahler vibrato (neck string clamp removed), GraphTech nut, Spertzel locking tuners, Dimarzio DP101 pickups (neck/bridge), Bartolini "The Chip" preamp (o)1982 Guild X-79 "Rebel" with Kahler vibrato, Bartolini "The Chip" preamp, Seymour Duncan SH-1(neck) and SH-4(bridge) pickups, GraphTech nut, Spertzel Locking tuners (o)1983 Cort ES1275 6/12 Doubleneck with Kahler vibrato, Bartolini "The Chip" preamp, Dimarzio DP101 pickups (6 string neck/bridge) (o)1986 Fender Strat "Blue" with Floyd Rose vibrato (neck string clamp removed), Alembic "Blaster" preamp, Seymour Duncan Hot Stack (neck/middle), Hot Rails (bridge) and Roland GK-2a divided hex pickup, GraphTech nut, Schaller locking tuners (o)1991 Peavey Hydra 6/12 Doubleneck "Hydra" with Kahler Pro vibrato, GraphTech nuts (neck string clamp removed), Schaller locking tuners (6-string), custom 12-saddle bridge (12-string), custom electronics (o)2000 Parker Fly Deluxe with Dimarzio DP101 custom-wound pickups, Parker/Fishman piezo bridge transducer/preamp assembly, Spertzel Locking tuners (o)2001 Schecter A-7 Plus (SM) with Seymour Duncan JB-7 (bridge) and '59-7 (neck) pickups, Floyd Rose vibrato (neck string clamp removed), GraphTech nut, Spertzel Locking tuners (o)2003 Jackson DK2S "Jacki-Wad" with Sustainiac sustainer system, Roland GK-2AH synthesizer pickup, Floyd-Rose vibrato bridge, Hipshot vibrato bridge stablizer (++)Acoustic Guitars: (o)1989 Kramer Ferrington Custom with Fishman Transducer system, GraphTech nut, Hipshot Guitar Extender key (o)1993 Charvel 625-C with Fishman Transducer system and Hipshot Guitar Extender key (o)1993 Charvel 625-C12 with Fishman Transducer system (o)2000 Ovation CSD-225 6/12 Doubleneck Acoustic "Double Penetrator" with OP24+ Transducer system, Hipshot Guitar Extender key on 6-string Neck (++)Bass Guitars: (o)1988 Guild Cannon Pilot Bass with Hipshot Bass Extender key and Seymour Duncan Active EQ P/J pickup system (o)2000 DeArmond Pilot 5 Deluxe with Hipshot Bass Extender key, Hipshot Model A bridge (o)2000 Spector NS2000 Q5 5 String Bass "Specky" with Amber Burst quilted maple top, EMG pickups, active preamp, custom electronics (o)2001 Ibanez Ergodyne Bass "Ergy" with Hipshot Bass Extender key, active preamp (o)2002 Conklin Groove Tools 5 String Fretless Bass with natural flame maple top, active electronics, purple heart neck, ebony fingerboard, active preamp (o)Ibanez F-5 Mandolin Yes
Gary P. Alexander Demos Commercial work Primarily Martin acoustic and Custom/Modified Fender Strat. Also have a Washburn Cumberland Jumbo, Rickenbacker 4001 Bass, and a Gibson ES345 Yes
Johnnie Kaylor Composition Commercial work Yes
Sara Stearns Other Commercial work None Yes
Steven Andrews Demos Commercial work None
Tony Chicarello Commercial work Commercial work Fender Clapton Strat, Les Paul Classic, Ovation acoustic,Washburn hollow body, Peavey t60, Fender Jazz bass,and Peavey bass, Epiphone acoustic, multiple Strats.

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