[1]. Behringer Autocom (x2), [2]. DOD 1/3 EQ, [3]. ART SGE MACH II, [4]. DIGITECH Vocalist II, [5]. BBE 462 Sonic Maximizer, [6]. ART FXR Elite, [7]. APHEX Aural Exciter [8]. Alesis Microverb, [9]. IBANEZ DMD2000 Digital Delay, DBX project1 compressor, [10]Aphex Quad Gate, [11]Lexicon FX processor- the Reflex, [11]Roland SDE 1000, [12]Digitech Studio Quad, [13] Alarez Auto-tune Intonnator, [14]Alesis 3120 Compressor
Microphones
Too many to name here- regular shure's (SM57 and 58's), AKG condensers, Shure BG's, AT's, etc
Mixing
Soundtracks-Topaz model (14 x 2)
Tape decks
JVC DAT, Pioneer Dual Cassette, Tascam DA-30 MKII DAT
Hard disk recorders
Roland VS-1880 and Roland CDRack
Monitoring
Cheapie Scott (but it sounds good, I swear), Acoustic Monitor DB IV, and 3 pairs of Sony MDR-V600 (headphones)
Computer
Custom built PCs (750 Pentium III and 350 Pentium II), over 40 Gigs HD space on each, 512 MB SDRAM on both, CD Burners on both.
Music software
Sound Forge 4.5, DBX plug-ins, ACID 2.0, 1.0
Additional equipment
Marshall Jubilee 25/50 half stack, DIGITECH GSP2101 (Artist and memory added) with footcontroller (this is my current love), various pedals including Wah, tube screamer (Ibanez TS 1)
Comments
Although I love to record, my main shop is writing. My influence page would be like: if Sting met with Led Zeppelin, while having tea with the Beatles, and then went with U2 to meet OLD Van Halen and the Beastie Boys, they would find me as an understudy.