Dan McAvinchey

Displaying 145 - 156 of 213
February-March 1999

The odds of doing anything significant in the music business are long from the start, but artists who can't think beyond the short term have it thousands of times harder.

February-March 1999

I was never a fan of direct guitar sounds but for some reason this album ("Zone") is full of direct guitar. All of the rhythm tracks, clean and dirty, were recorded direct. I find that this gives the punchiest sound out there. The Sans-Amp rack really helped also. It is one of those `plug and play` pieces of gear which tone just oozes out of.

February-March 1999

The talented artists associated with Guitar Nine relate stories of their best, worst or most memorable live dates.

December-January 1998

Part two of our e-mailbag dump, answering some of the most commonly asked questions about releasing and promoting records.

October-November 1998

For Europe my music is not aggressive enough and in the US I didn`t have anybody to present it to. So rather than making so-called industry contacts and "wait until it happens" I decided to do it myself, which turned out to be much faster and got me and my music much more respect. I highly recommend a musical statement such as this to all musicians who intend to be a part of this complex industry.

October-November 1998

I hope my music, although there are no words, communicates and reaches people on an emotional, spiritual and entertaining level. I try to incorporate various instrumentation, and contemporary compositional influences.

October-November 1998

We have tried to record as much of our playing as we possibly can, both in practice and "jamming" sessions, and when we perform live, to give ourselves some feedback. When playing it`s very difficult to listen to yourself because you`re too busy thinking about what`s going to happen next, while in critical listening you concentrate on the blend of what has just happened. By listening to recordings of ourselves we can pick out the improvisational parts that work well, sound great, or have promise, then try to concentrate on developing them.

October-November 1998

Don't make the mistake of thinking this is someone else's job. As an independent artist, the ball is in your court.

August-September 1998

I knew what I wanted to do but there were no labels dedicated to the guitarist as the artist, but only to the guitarist as a shred meister. I read an interview with guitarist Glenn Phillips, who has released ten albums independently. I realized from his comments (about the music industry) that the only way to reach my goal was to follow his example.

August-September 1998

CD recorders (or burners) are great in any studio. Should you consider releasing your next CD on CD-R.

August-September 1998

In the last few years I`ve made a record for a major label that didn`t get released. Then I signed with a indie label. I thought the majors were the bad guys, and this label would give me more attention. WRONG! To make a long story longer, the small label had bad distribution and never paid a bill, let alone the tour support and promo budget.

June-July 1998

The best marketing tip though, is not to think of the market when you are composing or playing your music. Play only what is true to you--as an independent musician, you have that luxury.

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Dan McAvinchey is a guitarist and composer living in Raleigh, NC.

He believes every musician or composer has the power to write, record and release their own music.

Guitar Haus

His 1997 CD release on Guitar Nine was entitled "Guitar Haus".

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