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pix Starting Out pix
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pix pix by Pete Marinovich  

Page added in June, 2009

About The Author

Pete Marinovich is a guitarist from Rockville, Maryland who has three CDs to his credit.

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His latest CD is entitled "Closet Songs", an album where the music is free, breathing and uncontrived.

Send comments or questions to Pete Marinovich.

© Pete Marinovich

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  I`d like to share some ideas with beginning guitar players. These ideas are based on my belief that there is an attitude or, perhaps, a spirit that is common to most guitarists who have become successful. I was fortunate enough to reach many of my guitar playing goals at an early age and I feel compelled to share the things I suspect contributed most to my progress. This information centers not around playing technique but, rather, engaging the mind to fully embrace the joy of learning your instrument.

First and foremost, commit

It`s okay to fall in love. Just flow with it. This is different from falling in love with girlfriends and boyfriends; your fears may be warranted there. This is guitar. It can`t really hurt you. You may, at worst, get a case of G.A.S. (newbies may not be familiar with the term "guitar acquisition syndrome"), but even that is not so bad.

You may find yourself at times feeling like you are neglecting your friends and family while you practice, but there is a reward for everyone at the end of the tunnel if you stay focused.

So, get off the shelf. Go after the guitar that has caught your eye and start making love. Please note when I say "making love" I`m not suggesting you use a 16 ft. guitar strap to hang your guitar down around your boys. That seriously hinders your ability to play well. You might think it looks realy cool, but it`s a bad idea.

Establish a productive routine

In my first rock band in college there was a bass player named Ross. One semester we shared a dorm room on campus. I remember being amazed by the sight of him laying on the lower bunk with his eyes closed, not fully conscious as he reached down with one arm and pulled his bass out from under the bed. Then he sort of dragged the big Rick onto his mid section and started playing unplugged without ever opening his eyes. Ross lived to play bass. He had his idols. He had his goals. He had his bass. He had his routine. Well, decades have passed and I`m betting he still has his routine.

That was around '77. There was no Internet as we now know it. There was no YouTube. There were fewer gadgets to play with. I`m sure you`ve heard all this before from some other geezer, but the point is there were fewer distractions for guitar students. Modern technology now makes it possible for would-be artists to broadcast their limited abilities to the universe long before they are ready and worthy. The temptation is great, but should be resisted for a number of reasons. That`s a topic for a different article.

A good routine means keeping your guitar visible in the room when you are not playing it. It should call out to you. You need to feel like it is lonely without you.

You may be concerned that your expensive instrument will fall victim to your hyperactive nephew who likes to throw stuff in the house. Just threaten to kill the brat and he should get the message. Have something large and sharp in your hand as you explain the situation to him. Do not hide your guitar away in a safe place. Out of site, out of mind. No good will come from that.

When you practice, always start with a progression, song or scale that you have not mastered yet. Perhaps the most common mistake guitar students make is starting out with the familiar. This will cause you to waste precious time on a narcistic indulgence. Don`t do it. Work on something that needs work first. Then, when you see you have ten minutes left to practice, play something you do well and finish on a positive note. Don`t become one of the thousands of guitarists who have been playing the same three songs for years.

This is a discipline I learned in my martial arts studies. While practicing Kung Fu I always felt as though I was failing because as soon as I nearly mastered a skill, I got pushed on to the next technique. This keeps you humble. Without humility, you cannot learn, Grasshopper.

Learn to really listen

When you hear a guitar solo or piece that truly inspires you, try to break it down on your own. Know that you can do it without anyone`s help. It may take you longer, perhaps a lot longer, but nothing builds confidence like attacking problems independently.

There are always fundamental elements that cause the magic. Learn what they are and believe they are not beyond your ability to achieve them. Things are always easier when you break them down into their component parts.

For example, I recently heard a solo by John Mayer that I thought was tremendously cool. Part of the solo consisted of triplets. Anyone can do triplets, right? Well, not like this. By really listening, I noticed the third note of the triplets was noticeably softer in attack than the first two notes. This transformed it from a standard BS riff, to something with great feeling. You need to listen beyond "three notes=triplet."

Once you have unveiled that fundamental element that caused the magic, drill it to smitherines. Roughly speaking, repetition causes nerve impulses to cross certain synapses in your brain multiple times contributing to "muscle memory." You eventually reach a point where the brain can perform the function without conscious thought beforehand. Hence, the riff becomes one that you "own" and can deliver in a state of zen. No repetition, no zen.

If you happen to be involved in formal instruction, embrace it for all its worth. However, when you hear this little ghost in your head telling you that you need to start weaning yourself, listen to her. She`s the ghost of artistry. She`s also the ghost of saving some dough. But become independent for the right reasons. Don`t cop out because you get bored with scales. Be disciplined and learn to love the boring stuff by focusing on the vision of the great artist you will become.

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