.customer sign in.
g9 Logo
shopping cart rss xml Vol. 22, No. 1: June-July 2017
Rate This Page Poor page rating Fair page rating Average page rating Good page rating Excellent page rating
 
pix Top Secrets Of Common Sense, Part 2 pix
pix
pix pix by Tom Hess  

Page added in October, 2006

About The Author

Tom Hess is a professional touring guitarist and recording artist. He teaches, trains and mentors musicians from around the world.

Visit his site to discover highly effective music learning resources, guitar lessons, music career mentoring and tools including free online assessments, surveys, mini courses and more.

cd


Send comments or questions to Tom Hess.

© Tom Hess

Sponsored Links





Print This Column

Click here for a printer-friendly version of "Top Secrets Of Common Sense, Part 2".

  Part 1 to this article can be found here: "Top Secrets of Common Sense - Part 1".

The difference between an amateur and a professional is much bigger than some may realize. I'm not talking about money or fame. I'm talking about the difference in goals. An amateur typically has a goal to play something well. The professional's goal is to have abilities that are beyond what will ever be needed in real performance.

So let's look at the difference in mentality in mind's of most amateurs versus most professionals. Amateurs practice to "get it right"...Professionals practice to "never get it wrong"! Think about that. Consider the difference in effort and persistence. Often times, amateurs focus on playing something correctly one time. Consider what is on the line for the professional musician. Pros have to play perfectly every single night in front of thousands of people, in constantly changing environments and conditions, standing up, moving around the stage, alternating lighting which can alternate between blinding bright spotlights in your eyes one minute and total darkness the next.

I learned all this the "hard way" while on my first world tour. We played Yngwie Malmsteen's "Rising Force" and although I had no problem playing this song the first few nights of the tour, when I played the solo the first night in Canada, it fell apart for a few seconds and I actually forgot an entire section of that solo. I didn't forget that part because my mind went blank, it happened because I became very distracted by the lighting changes as well as events happening off stage in the first few rows (that's another [funny] story).

After that show I went straight to the bus and played that solo 300 hundred times! (Yes I actually counted each time!) Prior to that night I had been guilty of practicing that song just enough so that I could play it right under reasonable conditions (that means taking into account moving around the stage, not being able to hear clearly everything on stage sometimes, etc.). What I had failed to do was make sure I could pull off the solo perfectly if my mind and hands had to play it using automatic pilot if needed. By the time we got to Europe, bombs could have went off and I would be able to nail that solo anyway. It seems ironic that I frequently have told my students for years: "Amateurs practice to get it right and Pros practice to never get it wrong".

Certainly there are some rare amateurs that do practice to "never get it wrong" and I certainly do not intend to criticize amateur players, only to illustrate that the difference between "mastery" and "playing well" is huge. Students often get bored practicing fundamentals over and over again, they often just want to learn new things all the time. I stress a balance between both growth and mastery with those I teach. In my experience, both are equally important if one desires to be a great musician of any instrument.
  • Try this alternating practice cycle for three months. For two weeks focus on "mastery" of 6 things: 2 things that you are struggling with. 2 things you are pretty good at already and 2 things that you can play very, very well.


  • In the 3rd and 4th weeks, change cycles and focus only on "growth" of many things.
IMPORTANT: I do not recommend this cycle as a permanent practice routine. Do it for three months only. After that time you will have much better idea about when to know what to focus on at various times and also what the right balance (mastery and growth) for you will be.

Dangerous Words

"I got that", "I know that" and "show me something new". These are often dangerous words in the mouths of many inexperienced players because usually the truth is, "they don't got it", "they don't know it" and "they aren't ready yet for something new". This is especially common in American culture in the 21st century. If it's not instantly gratifying, few people will have the focus to hang in there and master fundamental skills. It's not necessary to master everything before learning anything new, but to focus only on new material and leave all older material in unusable form is a mistake. Yes I know, it is easier said than done for most of us, but mastery has enormous benefits including enabling new material to become more enjoyable, practical and useful to you. If you are not already in the habit of focusing a significant portion of your time on mastery, do yourself a favor and start doing that now. Remember: Amateurs practice to get it right (once or twice and then usually move on), Professionals practice to never get it wrong.

For maximum results in mastery work with a great teacher, to find one, click: "Choosing A teacher".

Rate This Column

pix Additional Columns by Tom Hess pix
line
  • And 106 more in the Guest Columnists series, view the index
line


offer


Home | RSS | iTunes | T-shirts | Search
Card Cyber Museum | Contact Us | Content Index
Copyright © 1996-2013 Guitar Nine All Rights Reserved
Any redistribution of information found at this site is prohibited
Use of this web site constitutes acceptance of the Guitar Nine Terms of Use. To read our Privacy Policy, click here.