|Jorge Strunz||Acoustic Nylon String Guitar, Percussion on "Burabampo"|
|Ardeshir Farah||Acoustic Nylon String Guitar, Percussion on "Burabampo"|
|Ciro Hurtado||Acoustic Nylon String Guitar on "Preludio", "Anoranza" and "Lluvia Suave"|
|Charlie Bisharat||Violin on "Arcades" and "Ziryab", Percussion on "Burabampo"|
|Luis Perez||Mesoamerican Percussion and Winds on "Lluvia Suave" and "Burabampo", Chant on "Burabampo"|
|Kathlyn Powell||Percussion on "Burabampo", Cover Painting, Lettering, Art Direction|
|Kavichandran Alexander||Engineering, Production, Liner Notes|
|Tim De Paravinci||Technical Consultation|
|Bill Healander||Technical Consultation|
|Chris Donnelly||Technical Maintenance|
|Marina Lorca||Cover Painting Inspiration|
|Recorded at Christ The King Chapel, St. Anthony's Seminary, Santa Barbara, CA, December 12 and 13, 1988.
This is a pure analog recording done exclusively with custom-built vacuum-tube electronics. The microphone set-up was the classic Blumlein arrangement. No noise reduction, equalization, compression, or limiting of any sort was used in the making of this record.
Mastered at The Exchange (London) on a custom-built system designed by Tim De Paravinci of EAR, UK.