Dan McAvinchey: Yes, it's German. "Haus" is the German word for "house." I got the idea for the record while I was visiting in Germany, so I decided to give it a German flavor.
Dan McAvinchey: That's interesting because I don't really play an acoustic very much.
Dan McAvinchey: Right, (laughs) it's kind of ironic, I love the picture because it was taken when I was Mexico, or something like that, and someone gave me a guitar to hold. There is actually very little acoustic, just some rhythm
Dan McAvinchey: Yeah, I got some MIDI files of drums. These two guys, Rod Morgenstein and Nigel Olsson. The quality was excellent and what it allowed me to do was to record the songs exactly the way I wanted to and if I needed to edit the drum parts in any way, I had the freedom to do that. Also their playing is great. It really opened up the compositional aspect for me to use MIDI drums on this, and they don't sound like MIDI drums either.
Dan McAvinchey: This is my first CD!
Dan McAvinchey: Oh, the time we live in now is the greatest time to record your own material and to get it to people that otherwise would never have never had a chance to listen to what you are doing. The Internet has opened that up to all independent musicians.
Dan McAvinchey: Most people would toil in their hometowns, and they would have a record out, but they might sell it from the stage. They would have no way
to get beyond that. With the Internet, the minute you are on there, you're dealing with the world. It's true. Over half the sales at Guitar Nine are to parts of the world like Europe and Japan, Australia and Canada. You have a worldwide audience and that was impossible five of six years ago.
Dan McAvinchey: I've been playing for nearly 20 years, and I've always emulated guitarists like Jimi Hendrix, Gary Moore, people like that. As far as instrumental goes, when you can't sing yourself, you tend to write without
a vocal part in mind. If you could add vocals to it, that would be one thing, but I decided that I would like the guitar to shine through on what I was doing. So I decided to make the project instrumental. A side thing about that is that now I'm promoting instrumental music in general. That
was not my intention from the beginning, but that's how it kind of worked out.
Dan McAvinchey: That's right. I have a very strong interest. I have a humongous record collection. Probably over 2000 CDs and I've always like jazz, classical, rock, metal, all those types of music. When I decided to create
a focus for the web site to promote music, number one it had to be guitar oriented, and number two, it had to be mostly instrumental. We have a few CDs that we are promoting on the site that have a couple of vocal cuts, but the majority are either all instrumental, or 90% instrumental.
Dan McAvinchey: I never have in the past. I have a couple of DAT tapes at home that have probably 60 or 70 songs from the early to mid '80's that were mainly keyboard. The guitars are around just for solos and stuff. I really like how they came out even though I never tried to put vocals on them. It forced me to write a type of music that said a lot more. The guitar, the melody line had to be strong in order to make something that was kind of interesting, that would stand up over repeated listening. I found that the music had a cinematic flavor to it. That's what a lot of people that I let listen to it had to say.
Dan McAvinchey: Yeah, that's true. You don't have a lot of problems with parents saying that they object to the lyrics and they shouldn't have their teenage sons listening to this. If we put on the little sticker, it would look funny.
Dan McAvinchey: Through the web site. We have about 60 instrumental titles online right now, but we get a lot of orders through the mail and faxes as well. It has been doing very well, and especially internationally, which is
something I didn't expect at first. Now I find it makes a lot of sense. There is a hunger for this type of music throughout the world, especially to get it from the United States. There is absolutely no exposure for a lot of these artists in Europe or Japan. These people are looking at any avenue that they can find out more about it. The fact that your radio program is on the Internet is giving more people a chance to check it out.
Dan McAvinchey: The artists have a lot of talent, so I offer them the space for people writing on the site as well as the artists selling the discs.
Dan McAvinchey: Yes, and I've done all 12,066 pages of the site! It's a lot of work, but I can help myself and a lot of other musicians as well.