Moveable Forms

The beautiful part about the tempered music scale we all use lies in it's flexibility. One of my favorite tricks is to take one shape, and use it to move up or down the fretboard in a linear way. The similarities in chord shapes allow me to do this. To give you an example, I'll use one shape of a minor 7 chord. In any given key, there are 3 natural minor seven chords, and their structures are the same. Therefore, if you find one shape of a minor 7 chord, you've got 3 you can use. For example, in the key of A, the minor chords are B, C# and F#. Here is one shape that each of these chords share:

B Minor 7

Example A - MP3

C# Minor 7

Example B - MP3

F# Minor 7

Example C - MP3

Now, let's use these in an example:

Example D: slow - MP3

Example D: quick - MP3

Notice how we started off in the 2nd position, and by the time we're done, we're in the 9th position. This is just one way to travel smoothly across the neck. While this example uses a linear movement, you can also use like shapes to ascend and descend from low strings to high and vice versa. Now, go find some more common chord forms and move some air!