Interview: Michael Fath

I believe that back in the 80`s it was a very novel thing to be an instrumental rock guitarist. I mean we`ve had rock instrumental songs since rock began, but the technical advances made by many of us were very charming and, for a while, in vogue. These are the very same qualities that almost killed the genre.

Interview: Steve Vai

Favored Nations is my new independent record company. It`s something I knew I was going to do. I knew I was destined to do a record company eventually. It`s a great concept and I found a great partner, Ray Sheer. We had similar concepts on how we would like to construct a label. I`ve been in the business for a long time, and I understand the infrastructure of how a label works and how they promote and market. So we put together this concept, sort of a musicians label.

Interview: Jaye Foucher

I have an easier time over in Europe than I do here. I live in the Boston area, and Boston being a college town really wants alternative music. So I have a difficult time getting shows and drawing a huge crowd around here. I find it kind of weird. Thankfully that is not the only thing that I have to go on.

Interview: Dan McAvinchey

We send about half our orders overseas (48 different countries at last check), so numerically more CDs are still purchased in the United States, but that`s really because the country is so big. I feel the demand for instrumental guitar is stronger overseas, and if the economies in the Far East and Eastern Europe were stronger, I believe we`d sell even more there.

Interview: Steve Vai

Back when I got my hands on my first multi-track recorder, I was fascinated with overdubbing, piling things on top of things, and recording anyone that came in my grip. I recorded hundreds of hours of stuff. Then I released the record `Flexible,` my first solo record.

Interview: Gary Hoey

A studio CD is hard work, because you spend months and do all this painstaking work in the studio and nit pick everything and make it right and mix it. I think that`s a bigger labor, but I think a live CD is a scary thing because you`re getting up there and playing live. There is nothing to hide behind. There`s no overdubs, and you have to live with what you did or don`t put it out.

Interview: Vinnie Moore

You know, the early rock bands that I was into, like Deep Purple and Queen were very guitar oriented bands. I just wanted to start playing, so I got a guitar one year for Christmas. I had no interest in the guitar on Christmas day, I played more with the box. It grew on me and I got real serious after a couple of years.

Interview: Joe Satriani

G3 is definitely here to stay. People may or may not know, the concept that we came up with a number of years ago was to be able to bring guitarists together that usually spend most of their time trying to stay apart. Managers and record companies are always trying to keep people separate. So we came up with the idea of bringing people together.


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