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Guitar Technique

Guitarists passing on hard-won knowledge โ€” how to practice, how to record, how to finish something, and how to keep going when it stops being fun. Written since 1996, and still being written.
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737 columns of 2,622  ยท  page 21 of 21
Guest Columnists
Tony Young

Working Through The Seven Modes

Tony Young

Do you still think the Aeolian mode is a ship from Star Trek? Are you comfortable discussing Mixolydian and Phrygian modes in mixed company? Tony Young cuts to the heart of modes.

April-May 1997
Guest Columnists
Chris Brown

Going Beyond Reality

Chris Brown

Don't let your current concept of reality dominate your guitar playing.

April-May 1997
Guest Columnists
John Kiefer

A Slight Disagreement

John Kiefer

An original work (part one of two preludes) composed for solo electric guitar, in tabulature and standard notation.

April-May 1997
Mac's Back Page
Dan McAvinchey

Practice With The Masters

Dan McAvinchey

Stop practicing with boring scales and start testing your fingers with melodic 'riffs' from Mozart, Bach, Beethoven, and more.

February-March 1997
Guest Columnists
John Kiefer

Prelude (from Partita #1 for Solo Guitar)

John Kiefer

An original work composed for solo classical guitar, in tabulature and standard notation.

February-March 1997
Guest Columnists
Jeff Spencer

Thinking Out of the Barre

Jeff Spencer

Learn some substitutions for those tried and true barre chords. How the knowledge of triads can help you come up with original sounding guitar parts.

December-January 1996
Guest Columnists
John Kiefer

Dance of the Sugar Plum Fairy

John Kiefer

An arrangement of the Tchaikovsky piece for solo guitar, in tabulature and standard notation.

December-January 1996
Supercharge Your Playing
Dan McAvinchey

Call-and-Response Practicing

Dan McAvinchey

Call-and-response practicing to enhance your phrasing and composing.

October-November 1996
Mac's Back Page
Dan McAvinchey

Rhythm 'N' Leads

Dan McAvinchey

Stop strumming those simple barre chords, and embellish your chordal work with licks and phrases that blur the distiction between rhythm and lead guitar playing.

October-November 1996
Guitar Meltdown
Dan McAvinchey

Rut Busters!

Dan McAvinchey

Stuck recycling the same licks and riffs? Dig yourself out of your guitar playing rut and rediscover the instrument you love.

October-November 1996
Guest Columnists
John Kiefer

Arpeggiated Progressions

John Kiefer

Tips for playing arpeggiated chord progressions using string skipping.

October-November 1996
Guest Columnists
Kevin Hammer

Applications for Delay

Kevin Hammer

Some creative uses of digital delay when writing or recording.

October-November 1996
Supercharge Your Playing
Dan McAvinchey

Short Lick Primer, Vol. 2

Dan McAvinchey

More short lick ideas to kick-start your technique.

August-September 1996
Mac's Back Page
Dan McAvinchey

Roll Your Own Pentatonics

Dan McAvinchey

Break free of your limiting beliefs about pentatonic scales.

August-September 1996
Supercharge Your Playing
Dan McAvinchey

Short Lick Primer, Vol. 1

Dan McAvinchey

A number of short lick ideas designed to kick-start your technique.

June-July 1996
Mac's Back Page
Dan McAvinchey

The Ascension

Dan McAvinchey

Nowhere to go with ascending licks but up? Dan McAvinchey confronts the problem and gives you several ideas you can use today. Don't just take the easy way out and start descending either.

June-July 1996
Guitar Meltdown
Dan McAvinchey

You Can Be Like "Satch"

Dan McAvinchey

Emulating your heroes is fine, but consider how far should you take it.

June-July 1996
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