ii-V-I-VI Jazz Etudes
Here are some lines based on concepts Jay Carlson has been covering in my studies with him. Notice on the ii chord that I'm using the harmonic minor scale that's up a 5th from the chord. So, for Dm7 I've written ideas using A harmonic minor. On the V and VI chords, both dominant 7th chords, I'm using the melodic minor scale that's up a 1β2 step from the written chord. So, for G7 I'll use Ab melodic minor and on A7 I'll use Bb melodic minor. And lastly, on the I chord I'm using the harmonic minor scale that's up a Major 3rd from the I chord. So, for C Major 7th you'll see the E harmonic minor scale.





For a printable PDF version of the music, please click for Page 1, Page 2, Page 3, Page 4 and Page 5.
I'll leave the analyzing up to you folks for now. Any questions shoot me an e-mail.
Rick Del Savio
Rick Del Savio is a jazz guitarist who pours his influences (including R&B music in general and Stevie Wonder) into his recordings.
His latest CD is entitled Evolution.
-
Four Beginner Guitar Tips That Make Everything Easier
Just Rijna
-
Will Weight Training Help My Guitar Playing?
Ioannis Anastassakis
-
Applying Negative Harmony To Modes
Tommaso Zillio
-
Avoiding Parallel 5ths In A Chord Progression
Tommaso Zillio
-
How To Be A 'Spider-Teacherβ: Spinning With Your Students
Thijs de Klijn
-
Why You Should 'Gamify' Your Guitar Practice
Thijs de Klijn