hicago native and guitar virtuoso Eric Mantel has stepped back into the spotlight after years as an elite guitar instructor. His highly praised The Unstruck Melody CD has been making its rounds and touted as a genuine masterpiece. Elegant playing, diversified styles and Mantel's own unique vocal phrasings make the record an enjoyable and satisfying listen. Divided into two sections, or Acts, each containing 10 tracks apiece might make the single disc almost overwhelming. However, as the laser moves easily along the tracking order Mantel casts his spell and you're hooked. The record begins with the tuning of the radio from soft rock to jazz to new age to world music, all Mantel compositions - an excellent way to introduce the hybrid of Mantel's ability. The dial settles on a jazzy mid-tempo rocker reminiscent of Eric Johnson, hence the reason it's called "Tribute." Adding keyboards we get a similar feel for "Exit 10," both have an easy flow with a Texas swagger, though the latter could easily be a Pat Metheny track.
"Simple Things" introduces us to Mantel's pleasing tenor voice reminiscent of David Pack, Donald Fagan or Patrick Simmons. Like much of the disc it has a '70's vibe, not in production, but in song craft. That continues through to the Doobie Brother/Steely Dan-influenced "The Real You," "Gloria" and "Shine On." The musicianship is highly skilled creating wonderful texture. Mantel used a host of local musicians to aid in creating his layered effects including bassist John Falstrom, keyboardist Rusty Hill, drummer Patrick Doody, pedal steel player Rich Koch and sitar player Clar Monaco. He also makes full use of chorus-like background vocals including the silky pipes of Paula Mantel who accompanies the guitarist on the passionate "True Home."
Influences abound in the bluesy, keyboard driven "Merry Go Round" and progressive "Don't Let the Day Go By" where ELP meets Yes. The tougher, amplified aggression of "Wings of Fire" and "Only Want Your Love" are retro Hendrix, Beck, Page and Trower. Both cook with searing intensity as Mantel snakes his way around a power-chord rhythm. He handles the jazz pieces with the same technical skill whether it's the light airy "Under a Different Light" or the Al Dimeola/Larry Carlton-inspired "Tai-Chi." If it's hot licks you're looking for, jump to the blazing "Finger Pickin' Country" a-la Chet Atkins. Cleverly placed are the Middle Eastern elements which not only bridge the two "Acts" but also explain the record's title in "The Unstruck Melody." Recommended for musicians, guitarists and fans of fusion guitar.
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