ric Mantel is a Chicago based guitar virtuoso. Born in 1963 he has been
playing live to audiences since 1977. He released his first solo album,
'Montage', back in 1983 while still only 19 years old. Now after devoting
all his adult life to music he has returned with 'The Unstruck Melody', an
album that pays homage to the different styles and influences that have put
him where he is today.
While the album certainly demonstrates Eric's undoubted skills as a
guitarist, thankfully he has not simply produced an album to showcase his
axe manship at the expense of all else.
There is certainly a lot here in terms of variety with the cd running as it
does through the range from hard rock, ballads, jazz, blues, country and
even classical. Also, although over 50 percent of the album is
instrumental as one might expect, there is still a nice mix of vocal pieces,
which prevents the album from getting bogged down with too much of the same
thing.
Rather than try and analyze this album track by track I will pick out some
of the pieces that made an impression.
'The Simple Things' is the first vocal track on the album.. It comes over as
a very laid back piece and utilizes light jazz touches mixed with a basic
pop format. The first half of the song carries the main vocal section, but
the second half introduces some superb guitar variations built around the
basic melody. The soaring guitar here is expressive but never goes
overboard by becoming too showy.
'Exit 10' by contrast is a faster paced and very upbeat number. From
the strong ascending sequence that kicks this piece off things never look
back and the tune effortlessly carries the listener along. Once again the
guitar work is at the forefront, but not overpoweringly. Percussion work
too is very much in evident and the emphasis seems to be very much on
musical teamwork rather than one-upmanship - a fact which I think is true of
the whole album.
Towards the end of the album 'Finger Pickin' Country' introduces a strong
country element to the proceedings. This is quite a whimsical piece
containing an element of humor while at the same time proving to be great
toe tapping foot-stomping little number.
My final selection for comment is 'The Unstruck Melody (Reprise)' which is
played in a strong eastern style making good use of the Sitar and once more
providing a very different feel to what has gone before. having taken a look
at some of the music I confess that I am in two minds about the accompanying
CD insert. Rather than coming with a 12 page booklet, this album comes with
a fold out affair - the purpose of this is clearly to allow the rather nice
artwork to be viewed as a single piece, and in this respect it works well
enough. On the downside I found that quick access to specific song
information / lyrics is hindered by this format. s easily. The printing
too could have been better though out too since in a number of places the
wealth of pictures in the layout made the type face hard to read.
So how to sum up? The music on 'Unstruck Melody' is well presented and
certainly well played. There is also a wealth of variety to be found here
in terms of style and sound, and the production is excellent from start to
finish.