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Vol. 13, No. 6: Dec.-Jan. 2008


Eric Mantel
pix
Review of "The Unstruck Melody"

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@ iTunes
By: Mike O`Cull

letter ric Mantel is one of the Chicago area's best-kept musical secrets. He has been quietly but steadily making a name for himself in the guitar community (both here and abroad) with his highly evolved original music for over 30 years, is one of the busiest and best-known guitar instructors in the south suburbs, and is one of the most versatile musicians in Chicago or anywhere else. He is equal parts intensely skilled instrumental guitarist and intelligent pop songwriter, capable of invoking the spirit of Jimi Hendrix, Eric Johnson, or Todd Rundgren at any given moment. Mantel's days of obscurity may, however, be coming to an end with the release of his latest CD "The Unstruck Melody" on his own Holistic Music imprint. The record is a 20-song musical journey through wide-ranging styles and moods, all connected by Mantel's considerable compositional chops and melodic ability.

What truly sets Mantel apart in the rock guitar arena is his willingness to venture beyond typical shred guitar cliches. He is more than capable of indulging in as much guitar flailing as the next guy, but instead chooses to concentrate on the big picture of his songs, which makes this music much more accessible than most artists in his genre. He also freely moves from one playing style to another. Bags covered here include straight-up rock ("Tribute"), jazz/rock ("Tai-Chi"), vocal pop ("Merry Go Round"), classical ("Affectionately Yours"), fusion ("There Are No Words"), and country ("Finger Pickin' Country"). All this variety keeps the album moving along nicely and makes for a great listen for musicians and non-musicians alike. Mantel is poised to move into the light of public acclaim with "The Unstruck Melody". The record shows enough musicality, creativity, and expression to deliver Mantel to his rightful place in the guitar firmament, a place he should have been long ago.

© Mike O`Cull / Chicago Music Guide

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