* Instrumental tracks are in blue
* Hover over track names for more info
* Click on the play button to listen
* Click on the star to vote as favorite
|
| hide help
|
|
|
Inquisitive Heart (7:11) |
|
|
|
Shatki (6:06) |
|
|
|
Conference Of The Birds Part II (5:00) |
|
|
|
Blue (4:10) |
|
|
|
Intersense (6:20) |
|
|
|
Prelude In C# Minor (4:50) |
|
|
|
Sultan Ghalbam (5:32) |
|
|
|
Abadan (2:33) |
|
|
|
Voluptuous Vulcan (14:27) |
|
|
| Synesthesia on CD |  |
|
|
1 Copy
Ready to ship today!
|
Synesthesia
Synesthesia (CD)
Our Price: $15.00
(Price Includes U.S. shipping)
World/Progressive
Synesthesia, the album, is an acoustic instrumental project combining the guitar artistry of Navid Nikbakht and David Martone to create a unique and individual recording. Nikbakht and Martone each bring their own individual set of influences to this group, which also includes producer/percussionist Christoph Bracher. Using elements of Latin, Asian, Jazz and Rock, Synesthesia's self-titled album has already found many fans worldwide. Canadian born David Martone has been heavily influenced by Classical and Progressive Rock music and has two electric instrumental projects out "Shut Up 'N Listen" and "Zone". Iranian born Nikbakht defines his music as "world fusion". Concentrating on acoustic instruments, Navid's varied musical background is apparent in all that he does. Elements of Latin, Moorish, Jazz, Gypsy as well as his native Persian music can be heard through out this project. Nikbakht and Martone met in 1992 while attending Berklee College of Music in Boston and quickly found a common platform to launch their own unique version of world music. On this project they are joined by top musicians from India, Jamaica, Germany, UK and Iran. Instrumental Guitar (Acoustic/World/Progressive), total running time, 56:14 - Synesthesia @ iTunes!
In your opinion, which guitarist
has a similar style or
sound as David Martone?
|
|
|
|
|
| Related Products, Customer Recommendations & More
|
Click here to create a
link to this page
|
|
|
|
|
|
Click here to e-mail this
page to a friend
|
|
|
|
|
|
|
