|
|
| Gino Foti "Sphere Of Influence": Independent Review
|
Gino Foti
|
|
|
Review of "Sphere Of Influence"
|
By: Eric W. Saeger
ang around the burbs of Boston - let alone downtown - long enough and you start to
forget that you're artistically spoiled, then you completely forget, and then you
reach the point where every record you hear from a local artist receives only the
most cursory review from your inner critic: "Is it on Warner Brothers? No? Okay,
then it's useless."
Billerica's Gino Foti emigrated from Italy in the '70s and has been releasing
anything-goes world-fusion for ten years now as the bassist for Electrum, a band in
which he indulges every Jaco Pastorius fantasy that's ever popped into his head.
Sphere of Influence, as the name hides so well, is a sideways nod to Rush's
Hemispheres album of approximately 650 million years ago, but in title (and
liner-note thank-yous to Geddy Lee) only; what Foti is about when he's alone with
his (wild stab here) Rickenbacker is world music, period, and needless to say it's
brilliant, if brilliant to you is firing a fully automatic paintball gun at a
spinning globe and splotching every country. The opening zither measures denote
Italy, then squat properly in China for six zen-like minutes; "Amor y Poder"
explores bullfighter pump-up; "Degrees of Force" is salsa for Tucker Carlson.
|
©
Eric W. Saeger / Independent Songwriter Web-Magazine
|
|
|