hredding sparks of neo classical compositions come flying out of Ohio USA
thanks to an incredibly gifted new guitar played called Chris Steberl. His
theory's add up to seven tracks of superbly constructed guitar monsters with
superbly arranged classical pieces.
This is a mighty accomplishment for an unsigned artist who has had to finance
the recording himself, so credit where credit is due, Steberl knows exactly
where and when to impress the listener and not to impress and just let the
melodies flow, which keeps this album fresh and exciting.
The best tracks are the opening track 'Nightmare On Bald Mountain', see if
you can spot his influences, I hear elements of Michael Fath, Shawn Lane,
Eric Johnson, Jason Becker and Marty Friedman in his music, in fact
'Nightmare' features some chunky chopin riffage that could almost be the band
Cacophony featuring the afformentioned Becker and Friedman, there is so much
musicality playing throughout this song, as you can probably tell this is not
your usual guitar album, check out 'Sahara Skies' another gorgeous song that
plays with satisfying effect thanks to the added inclusion of the piano which
is played by Chris himself. The feel of this song gives off European
influences, also in -smegging- credible is 'Mozart's 25th Symphony In Gm
(Amadeus).This is where the classical compositions come into full force, this
song is quite fun and changes mood every so often, keeping the listener
interested and entertained right to the very end, lets also not forget the
relaxing 'Silk 'n' Honey' with it's gentle and calming theme reminding me of
Eric Johnson.
Sterberl's playing is extraordinary, incredible, astonishing, wondrous, stupendous, sensational, miraculous, breathtaking, inspiring, and utterly mind-blowing, I really like this album and if your a fan of this
style of music then you will appreciate the skill and passion of Chris Steberl's work which almost breaks previously held land speed records.