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"Push" Review Featured In Gramophone, April, 2003 g9 Line
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Michael Nicolella
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Review of "Push"

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@ iTunes
By: John Duarte

letter ichael Nicolella began as a jazz guitarist, transferred his affections to the classic instrument and now applies his skills to both in due turn. Others have 'crossed the track' in one direction or the other but none has done so with the technical and/or musical success as Nicolella, who, chameleon-like, achieves comparable distinction in both fields. I can think of no-one else who could juxtapose such disparate pieces as Berio's SequenzaXI and Jimi Hendrix's Little Wing at the end of his programme and still be 'heard' as two different players of outstanding quality.

Much is owed to the sagacity of his approach to the classic guitar. Instead of seeing it merely as an alternative medium for jazz he embraced it and its music as 'anotherworld', bringing with him an open musical mind and the well-developed left-hand technique of a jazz guitarist. He studied with famous teachers of the classic instrument, and still keeps the two musical areas firmly compartmented.

What is there to be said of a record whose programme is redolent of a salesman who empties his bag on ones doorstep, with items (not least Rogers' breathless Push) that will frighten the average classic-guitar lover, and others may try the patience of the devoted jazz buff? It is hard to decide at whom this remarkable disc is aimed, but I commend it to all whose minds are open to a display of stunning technical skill and unfailing musicality over a very broad spectrum. Those who insist on putting things into pigeonholes will have a hard time with it!

© John Duarte / Gramophone

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