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"Patterns" Review Featured In Dutch Progressive Rock Page, February, 2006 g9 Line
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g9 Line

Static
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Review of "Patterns"

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By: Bob Mulvey

letter atterns is the self released debut album, produced and performed by guitarist Mike Fortin and drummer David Penna, collectively under the name of Static. They are aided and abetted here with contributions from both Rob Epstein (keyboards & bass) and Fabrice Francese (bass). The album is an instrumental offering within the areas of progressive metal, guitar fusion and sees Mike Fortin utilising his full armoury of guitar shredding techniques over the imaginative drumming of David Penna. Grinding metallic rhythms are employed extensively throughout the album, however a keen sense of melody and dynamic structuring prevails, giving the tracks the necessary "hooks" required to hold the listeners attention. A listen through the opening track Ghost Companion should either confirm or dispel whether this album (and therefore this review) will be one for you.

Mike Fortin proves to be an excellent player, not all "million mile an hour" shredding and sweeping, but tastefully executed legato sections, interesting rhythmic riffs and chordal patterns go to make up tracks on Patterns. A new name to me and the only info I have on him is that he is currently based in New York and prior to this release gigged and recorded with Strange Embrace, following which he then recorded under the name of Sonic Texture. David Penna on the other hand is slightly more known to me as he featured on the Rewired - A Tribute To Jeff Beck album from 2003, guesting with Fabrice Francese on Steve Booke's contributions. The following year he appeared again, this time on the totally insane but extremely enjoyable Ink Compatible from Ron Jarzombek. At that time I made note of the contribution David made to Words For Nerds - rhythmically possibly the trickiest piece on that album.

And much credit must be afforded to David Penna who raises the ante here on Patterns. In the somewhat saturated market of guitar instrumentals albums, his drumming is both solid and imaginative - lifting the music and giving the album greater variation, whilst still providing a solid backbone to the tracks. No better illustrated than on the albums standout track Shade - light and shade from the guitars, gliding fretless bass, nice touches from the keyboards and David nicely punctuating this ebbing and flowing piece. But along with this track are other notable pieces, the aforementioned Ghost Companion, the Frippy opening to Crimson (or am I just making an association), which veers off into a more metallic territory, never to return; then of course there's Uptown - driving rhythms, harmonised guitar but with the keyboards adding a nice jazzy feel.

I could go on, however should you have not skipped on with my descriptive - "progressive metal, guitar fusion" - and remained with this review, then I can assure you that Patterns has much to offer. Do yourself a favour and check out the soundfiles on David's site and also at Guitar Nine.

Conclusion: 7 out of 10

© Bob Mulvey / Dutch Progressive Rock Page

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