|
|
Doppler, Inc.
"Nu Instrumetal"
|
Formed in 2002, Doppler, Inc. is a San Francisco based group which is the brainchild of lead guitarist/songwriter, Doug Doppler. Their debut release is an immaculately crafted marvel, juxtaposing savage riffery with inventive arrangements and inspired playing. The goal of the record was to bridge the gap between nu metal bands like Korn, Limp Bizkit, and Saliva, old school metal acts like Metallica and Exodus and instrumental artists like Joe Satriani and Steve Vai. "Nu Instrumetal" refers to that collision of stylistic influences. The well-seasoned sound is built on slammin' metallic riffs, guided in equal parts by a free flying virtuosity and fine tuned craftsmanship. And it's no wonder, lead guitarist and founder, Doug Doppler's musical pedigree is impeccable. He is one of music's most promising new guitar players and a protege of Joe Satriani.
Prepare to blast off into a new sonic dimension with Doppler, Inc. on "Nu Instrumetal".
|
|
05:29 |
Fat Lip
|
Instrumental
|
|
04:41 |
Fire Down Below
|
Instrumental
|
|
04:17 |
Wicked
|
Instrumental
|
|
04:07 |
Grind
|
Instrumental
|
|
04:40 |
Wrecking Ball
|
Instrumental
|
|
04:34 |
Armadillo
|
Instrumental
|
|
04:34 |
Like Father, Like Son
|
Instrumental
|
|
06:15 |
Starcrossed Lovers
|
Instrumental
|
|
04:40 |
Bring It On
|
Instrumental
|
|
05:45 |
Bumpin' Grind
|
Instrumental
|
|
05:07 |
Five Hi
|
Instrumental
|
|
Doug Doppler |
- |
Guitar, Production, Engineering, Mixing, Art Direction |
|
Steve Sarina |
- |
Guitar |
|
Atma Anur |
- |
Drums, Production, Engineering, Mixing |
|
Uriah Duffy |
- |
Bass |
|
Billy Sheehan |
- |
Bass on "Bring It On" |
|
Stuart Hamm |
- |
Bass on "Five Hi" |
|
Brad Gillis |
- |
Second Guitar Solo on "Bring It On" |
|
Peter Karr |
- |
Production, Engineering, Mixing |
|
Rob Schenk |
- |
Photography |
|
Brian Fessenden |
- |
Photography |
|
Jim Branstetter |
- |
Photographic Digital Capturing |
|
Zand Gee |
- |
Design |
|
John Cuniberti |
- |
Mastering |
Mastered at PlantStudios.com.
|
|
Vol. 17, No. 2: Feb.-Mar. 2012
