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Marty Friedman
"Music For Speeding"
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Marty Friedman's "Music For Speeding" is sure to please the fans of his earlier more aggressive work (Cacophony, Megadeth) as well as attract new fans to his playing. There is some wicked guitar on the album, no question... Marty played, produced and even engineered his new solo album. Fans of Friedman's first solo album, "Dragon's Kiss" and his aggressive playing in Cacophony and Megadeth will freak out when they hear that style applied in Marty's new, more modern format. Tracks feature almost every 'Friedman-ism' he is known for, sylistically ranging from orchestral soundtrack style music to furious aggressive rock, with the common thread being Marty's unique and tasty sense of melody. Absolutely essential.
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03:45 |
Gimme A Dose
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Instrumental
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03:27 |
Fuel Injection Stingray
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Instrumental
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04:24 |
Ripped
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Instrumental
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04:02 |
It's The Unreal Thing
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Instrumental
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03:59 |
Cheer Girl Rampage
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Instrumental
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04:25 |
Lust For Life
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Instrumental
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04:25 |
Lovesorrow
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Instrumental
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04:27 |
Nastymachine
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Instrumental
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03:56 |
Catfight
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Instrumental
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03:50 |
Corazon De Santiago
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Instrumental
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00:40 |
0-7-2
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Instrumental
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02:02 |
Salt In The Wound
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Instrumental
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03:47 |
Nococaine Kiss
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Instrumental
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Marty Friedman |
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Guitars, Programming, Sequencing, Shamisen, Production, Engineering |
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Jimmy O`Shea |
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Bass |
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Jeremy Colson |
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Drums |
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Brian Beevar |
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Keyboards |
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James Jacobson |
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Synthistration and Arranging on #7 |
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Jason Moss |
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Additional Programming, Enjoyable Noise |
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Ben Woods |
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Flamenco Guitar on #7 |
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Dino Alden |
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Mixing on #1, 2, 3, 4 & 6 |
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Steve Fontano |
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Engineering |
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Josh Weaver |
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Engineering |
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Richie Kotzen |
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Engineering |
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Dave Shirk |
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Mastering |
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Jimmy Amason |
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Technician |
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Leonard Haze |
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Drum Technician |
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Pat Johnson |
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Photography |
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Brian Ames |
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Graphic Design |
Recorded at Studio 880, Oakland, CA, Prairie Sun Recording, Cotati, CA, Quaa Sound, Scottsdale, AZ and Aldens Gate, Santa Rosa, CA.
Additional mixing by Sonic Bitch and Tone.
Mastered at Sonorus Mastering, Phoenix, AZ.
Preproduction rehearsals conducted at Soundwaves, Oakland, CA.
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Vol. 17, No. 2: Feb.-Mar. 2012
