wonderful eclecticism distinguishes the performances of Ken Hatfield and Hans Glawischnig on Music For Guitar And Bass (ACM). Much of it springs from Hatfield's carefully talented compositions (bassist Glawischnig contributed one as well) that allow for a full range of expression and styles from the two musicians.
Hatfield has a pure nylon string tone and the guitarist's technical mastery is especially evident on the classically influenced "Prelude". Glawischnig has a big, big bass sound - almost orchestral in concept - and it is a primary factor in defining the shape of the music. He plays above, below and around the music. His formidable arcato technique is a highlight of "Bergamo".
Both men have great rhythmic impulses that never leave the music wanting for any other percussive effect. It comes to the fore handsomely on the Brazilian rhythms which are woven throughout the disc. But, as I stated, it is eclecticism, not stylistic rigidity which marks this set. So, when the duo plays the blues of "Feudility", they are contrapuntal, joyously lyrical blues.
"Venezia" has the appeal of the cool school - enveloping chords, fluid melody - while the searing lines of "Bhutan Blue" bring the music into the realm of the hot.
The set, recorded in the guitarist's living room, is relaxed and intimate. Hatfield and Glawischnig avoid many of the pitfalls which often present themselves in the guitar/bass duo format. They do this by thinking beyond the limitations of their instruments, laboring to produce cognent musical statements based on creative and engaging concepts.
wonderful eclecticism distinguishes the performances of Ken Hatfield and Hans Glawischnig on Music For Guitar And Bass (ACM). Much of it springs from Hatfield's carefully talented compositions (bassist Glawischnig contributed one as well) that allow for a full range of expression and styles from the two musicians.