ogic? is a straight ahead jazz effort that is centered around the guitar
work of Glen Cannon and the sax soloing of Tim Wilson. The group explores
some tasteful jazz tonality with Cannon's chordal harmonization and Wilson's
saxophone exposition. The arrangements strike a compelling balance between
tonal exploration and accessibility. The composition is solidly rooted in
thematic development of tangible yet complex musical motifs. The tones
utilized are for the most part pure and the overall soundscape is that of
classic sax-centric jazz, reminiscent of the late Bob Berg's works with the
many jazz and fusion guitarists he played with. Craig Newman on bass and
Darryn Farrugia on drums provide a seamless rhythm section that keep beat to
some involved rhythms and time signatures. Newman's bass lines capture the
spirit of classic upbeat jazz with their wandering exploration and
homeseeking resolution.
Glen Cannon runs through some very interesting progressions that involve
some very provocative chordal harmonies that make a significant contribution
to the effort. Though the voicing of chords on these guitar parts is
somewhat subdued because of the style of classic jazz that is the format for
the music, the contrast of the different chords, the rhythms, meters, and
harmonization is quite impressionable. Tim Wilson's sax soloing that follows
these complex progressions is equally impressive with his demonstration of
his capability to follow and improvise coherently over them. And, Cannon has
some nice, clean-toned, speedy runs and well-placed contrapuntal phrasings
with savory harmonization for his solos that demonstrate his capabilities on
lead guitar.
The quartet covers two notable compositions, "Norwegian Wood" from the
Beatles and "Giant Steps" from John Coltrane, that bring to light their
style by contrast to the originals. The variation on the themes that they
devise and the adaptation of the themes to their musical vision clearly
demonstrates their tasty angle on jazz, as well as their firm grasp on jazz.
The remainder of the tracks are original compositions by Cannon and Wilson
that exhibit their strong compositional skills.
Though some of the liner notes indicate an element of fusion in this CD, the
music seems more closely oriented to progressive jazz than fusion, as voiced
by the clean tones and subdued nature rather than the aggression that is
more commonly found with fusion. Meaning that there is more of a jazz
influence than a rock influence, and the music is the better for it in this
case!
Overall, I was pleased with this CD. It has an agreeable balance of
provocative chordal arrangements and tactful soloing. The tonality also has
an agreeable balance between tonal exploration, melodic themery,
harmonization, and resolution. And, the group mixed up the rhythms and time
signatures with good effect to keep it interesting. Fans of progressive jazz
that like their jazz served up with intricate complexity and clean tones
should check this one out!