rance's Julien Carayon's release "Lethal Alchemy" is an instrumental guitar release
of a different kind. Whereas most instrumental releases are essentially Rock guitar
players trying their hands at various different styles (Hard Rock, Blues, Funk,
Folk, etc) using them to convey different moods, while using what is essentially a
Metal approach to lead guitar playing (not that there's anything wrong with that),
"Lethal Alchemy" is basically a Jazz album showcasing Hard Rock influences.
Instead of being a balls out shred record full of very intricate soloing, "Lethal
Alchemy" is instead a multi-layered Jazz album with some Rock undertones. The songs
aren't pieced together via riffs, but instead the melody of the song slowly builds
to a crescendo, with a lot of expressive guitar playing, and the sounds used are
further used to achieve this goal. Due to the long songs, shortest one being "Heat"
which clocks in at just under 7 minutes, the songs have a lot of time to develop and
have a multitude of different motifs throughout, while the slow beat makes the songs
slowly creep in from the background. It doesn't punch you in the face, but instead
slowly seeps into your ears. It's as if each song was a small story, and the music
is what propels the story forward.
The problem is that after a while, the song styles don't change that significantly.
Each song has the same slow pace, all of the rhythm instruments being perpetually
subtle while the lead instrument(s) play gorgeous melodies that sometimes go off
into the territory of Jazz soloing. But NOTHING stands out after nearly one hour of
this, the mood of the album never shifts, so the songs all wind up sounding the
same, due to them all having similar musical qualities.
Each song is well crafted and goes through ups and downs and the guitar playing is
very emotive and expressive, but what's missing is each song having individual
characteristics, to break the monotony that is present throughout the album.
The guitar playing is very well done (the legato technique is amazing) and VERY
expressive and Julien Carayon never overplays, but I cannot recommend this album on
the lead playing alone. The songs, while very multi-layered with tons of little
intricacies and many melodic patterns, add up to an album that is very one
dimensional due to all the songs being in exactly the same vein.