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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Wes Fleming's Studio Details
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It started out as a fun way to demo my own songs, get them down for writing lyrics or learning and turned into an obsession!
E-mail: Click To Send E-mail
Web site: www.newspeak.org/
Main purpose: Composition
Secondary purpose: Demos
Recording knowledge level: Average
MIDI knowledge level: Just learning
Typically work (with): Co-writer
Completed songs/demos/jingles: 41-60
Future plans: Working on several projects, all expected to become full-length records ... sooner or later. One`s mine, one`s my wife`s, and one`s my band`s.
Guitars: Electrics: Guild Brian May Signature, PRS McCarty Soapbar, PRS Singlecut, Gibson Les Paul Studio, 2xFender Am. Std. Strat, Fender P-Bass Deluxe, Warwick Streamer bass.
Acoustics: Alvarez-Yairi DY88, Guild DCE-1, Alvarez AJ60SC-12, Takamine G-40, GoldTone banjo.
Keyboards: Roland A-33 as a controller.
Sound modules: E-Mu Vintage Keys, E-Mu Proteus/1, Yamaha TG55, Roland MSE-1
Percussion: Alesis D4 as a brain pushed by a hodge-podge kit of pads (Dauz, Yamaha, Alesis, Roland).
Effects: BBE Sonic Maximizer, Roland GP-8.
Microphones: SE Electronics SE5000 (tube), Studio Projects C3, an old Beyerdynamic mic 3" long.
Mixer: Behringer Eurodesk, the smallest one with faders.
Monitoring system: Alesis 150w amp, JBL 4206 monitors, and a variety of headphones.
Computers: Mac G4/400, 512MB RAM, 40 & 60GB internal HDD, 60GB Que! Firewire drive for backups.
Music software: Protools LE & Digi001 interface.
Comments: It started out as a fun way to demo my own songs, get them down for writing lyrics or learning and turned into an obsession!
If you are Wes Fleming and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
