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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Sean Walsh's Studio Details
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E-mail: Click To Send E-mail
Web site: ress
Main purpose: Demos
Secondary purpose: Commercial work
Recording knowledge level: Above average
MIDI knowledge level: Above average
Typically work (with): Other musicians
Completed songs/demos/jingles: 21-40
Future plans: In process of starting commercial jingle & custom soundtrack studio. Hopefully move to a larger facility within 3 years. Working on original CD currently.
Guitars: `75 Fender Strat, Ovation Acoustic & Various electrics, acoustics and basses.
Keyboards: Midi Controller with Roland & Alesis outboard gear
Sound modules: Roland PMA-5, JV-880, Sound Canvas
Turtle Beach Midi Card
Percussion: Roland Digital Drum Set - V-Drum
Alesis SR-16
Effects: Alesis Midiverb III
Berhenger Processors - AutoFX
Digitech Delay Rack, RP-10, Various Boss & Zoom Efeects
Alesis 3630 Compressor/Limiter
BBE Sonic Maximizer
DBX De-Esser
Various EQ
Microphones: EV RE-20 n/d
Oktava MK-1
Audio Technica 4033
Shure SM-57 & 58s
AKG Handhelds
CAD Drum Kit Mics
Mixer: Yamaha Promix 01
Mackie 16 channel
Tape decks: Teac 3440 Reel to Reel
Tascam 34B Reel to Reel
Philips CD Recorder (For Mastering)
Sony Minidisc Deck (For Mastering)
Pioneer Cassette Decks (For Reference)
Hard disc recorders: Yamaha MD-8
Monitoring system: Alesis 100-watt Reference Amp
Alesis Monitor One Reference Monitors
AudioSource Monitors (for reference mix)
Classic Pioneers (for bare-bones reference)
Computers: Pentium III
500 Mghz
13-gig w/Digital soundcard & CD burner
Music software: Cakewalk Home Studio 09
Powertracks ProAudio
Sound Forge (For Mastering)
Other equipment: Various Video Equipment
If you are Sean Walsh and you want to update your listing, click here.
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Vol. 17, No. 2: Feb.-Mar. 2012
