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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Ron Zabrocki's Studio Details
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Fate cannot harm me, for I have recorded well today!
E-mail: Click To Send E-mail
Web site: www.ronzabrocki.com
Main purpose: Recording
Secondary purpose: Composition
Recording knowledge level: High
MIDI knowledge level: High
Typically work (with): Other musicians
Completed songs/demos/jingles: More than 100
Future plans: SOLO GUITAR CD! New Age CD. Indy label artists. Working with talented Singer/Songwriters in the CT/NY/MA area.
Guitars: Ibanez prestige RG2550 and RG 121, 77 strat, allan holdsworth ibanez, epiphone 335, 1960 Les Paul Classic Reissue, ovation balladeer, Alvarez Yairi Acoustics, etc...
Keyboards: SL Master, Emu, Ensoniq See Midi Hell below...
Sound modules: Triton Rack, Roland 5050, Proteus 2000, XL Lead, MoPhatt, FX, Roland 220, AlesisQSR, Yamaha, Alesis D4, MANY Virtuals including The Grand, B4 Battery, Halion, etc.......
Percussion: Halion, Battery, BFD, Drums from Hell,live percussion thingies
Effects: Waves, tc, dbx , UAD1 (X2) etc.....
Microphones: Neuman, AKG, Royer, Mojave, Beyer, Octava, Shure, AT, RODE, MXL etc.....
Mixer: Mackie, but only for monitoring. Use Outboard pre`s for most app`s. Presonus, DBX, Avalon, Universal Audio
Also the Digi002
Tape decks: Screw that!
Monitoring system: Event 20/20, Genelec, JBL
Computers: P4 2.8, G4 Dual 1.25
Music software: Nuendo, ProTools, SonarXL2, Acid, Reason etc.....
Other equipment: UA6176, SSL Pre`s, Vintech Neve 1272, Summit, Presonus, DBX, Carvin, Laney, Vox Amps etc....
Comments: Fate cannot harm me, for I have recorded well today!!
If you are Ron Zabrocki and you want to update your listing, click here.
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Vol. 17, No. 2: Feb.-Mar. 2012
