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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Paul Whyte's Studio Details
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We spend most of our time coming up with original, creative ideas.
E-mail: Click To Send E-mail
Main purpose: Demos
Secondary purpose: Jamming/Fun
Recording knowledge level: Above average
MIDI knowledge level: Above average
Typically work (with): Other musicians
Completed songs/demos/jingles: 21-40
Future plans: Making a full length alblum. Utilizing more insturments in recording than just guitar, bass, and drums.
Guitars: Epiphone Les Paul,telecaster, ibanez 7-string, 12-string acoustic, a couple of peavy basses,5string fender p-bass, a couple of "no-name" electric-guitars with good sound.
Keyboards: Yamaha DJX, a "no name" keyboard with alot of unique sounds and effects.
Percussion: Vintage drum set. DJX rythm section. Turn table generated beats. obscure origon hand drum. drum machine.
Effects: Digi-tech multi effects processor. Boss guitar effects processor. Zoom guitar effects processor. On board effects processor on the 12 track. 24bit stereo effects unit.
Microphones: SM-58, SM-57, and an array of large and small diaphram condensor mics. There are several other various types also.
Mixer: Usually just use the 12 track`s mixer, 12 channel mixer, and 24 channel board
Tape decks: Sony double tape deck. And a porta-studio 424 tascam.
Hard disc recorders: Akai 12 track
Monitoring system: Home stereo amp and speakers. we have several pairs of head phones with varying quality laying around. A quality pair of powered studio monitors.
Other equipment: An organ. and an assortment of amps. Two turntables. trumpet.
Comments: We spend most of our time coming up with original, creative ideas. With some arranging and Jamming these ideas evolve into songs. Isn't that always the case?
If you are Paul Whyte and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
