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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Nick Wood's Studio Details
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I've recently moved my studio from my home to an industrial unit where I sometimes hire it out to meet the rent.
E-mail: Click To Send E-mail
Web site: www.broadwoodmusic.co.uk
Main purpose: Commercial work
Secondary purpose: Demos
Recording knowledge level: Above average
MIDI knowledge level: Above average
Typically work (with): Other musicians
Completed songs/demos/jingles: More than 100
Future plans: Move to bigger premises and also finally create my own album (which was may main aim in building the studio) for which I have no time due to recording everyone else!!
Guitars: Fender Strat, Charvel and Ibanez Jem 777
Keyboards: Roland A-30 controller, Korg Trinity
Sound modules: Roland JV-2080,JV-880, proteus and Yamaha QY-70
Percussion: Above mentioned modules, TR-707 and Simmons pads, Roland D4
Effects: GSP-21, SPX-50,midiverb,midiverb3,Bel BD-80 delay,Behringer Compressors, lexicon reverbs Plus loads more
Microphones: 2xAKG C1000S, SM57`s & 58`s, Rode NT2
Mixer: Behringer Eurodesk MX9000
Tape decks: Casio DA-R100 DAT, Denon DRM-550 tape deck, Phillips CD-RW , 2xADAT
Monitoring system: Alesis power amp, JBL speakers KEF speakers
Computers: G5 Mac, 120 on board disk plus Terrabyte back up disk space
Music software: Logic Audio Platinum with Motu HD896
Other equipment: Drum kit
Comments: I've recently moved my studio from my home to an industrial unit where I sometimes hire it out to meet the rent. if there are any guitarists who wish to record instrumentals then THIS IS THE PLACE TO RECORD!!! Please email me for details.
If you are Nick Wood and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
