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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Matt Dawson's Studio Details
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I'm smack in the middle of Ohio desperately searching for experienced home recorders who could help me improve my sound quality.
E-mail: Click To Send E-mail
Web site: www.bright.net
Main purpose: Demos
Secondary purpose: Jamming/Fun
Recording knowledge level: Average
MIDI knowledge level: None
Typically work (with): Other musicians
Completed songs/demos/jingles: 61-100
Future plans: Have recorded in other studios. Just trying to get a really good sound out of mine. Trying to get enough material I`m completely happy with to make a CD worth passing around.
Guitars: 12-string Alvarez. 6-string Alvarez. 6-string Yamaha electric: Zion, Fender Strat, Gibson SG
Keyboards: Very rarely
Percussion: Basic 5-piece drum set with a few symbols and percussion
Effects: S-100, Alesis nanocompressor, ART Tube MP
Microphones: 58`s and 57`s
Mixer: ART 1600 (a nightmare)
Tape decks: Fostex R-8 reel-to-reel, DA-5 DAT recorder, Sony tapedeck Panasonic CD burner
Monitoring system: 100-watt reciever, pair of 100 watt Klepsh speakers and a couple little ones hangin on the wall...asortment of headphones and a headphone distributer amp.
Other equipment: Tons of cables.
Comments: I'm smack in the middle of Ohio desperately searching for experienced home recorders who could help me improve my sound quality. It's OK, but things I'm having trouble with is total volume to tape, although I have progressed tremendously. Would like to create an EXTREMELY affordable studio for bands needing solid demos.. like i needed years ago but could never find.
If you are Matt Dawson and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
